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Sigma Fp L Mirrorless Camera With Evf-11 Viewfinder

Sigma Fp L Mirrorless Camera With Evf-11 Viewfinder
  • Product Code: eq94500
  • Availability: In Stock

$8,097.00 $12,145.50

A high-resolution update to the original fp, the Sigma fp L Mirrorless Camera with EVF-11 Viewfinderis a compact and modular mirrorless camera featuring a new 61MP full-frame sensor, improved autofocus performance, and a versatile feature-set catering to both photography and cinematography applications.


Identical in form to the first fp, and maintaining accessories compatibility, the fp L is small enough to disappear into a rig for filmmaking uses or serve as a highly portable option for travel photography. The improved sensor and focusing greatly benefits photography use while also maintaining the same impressive video recording capabilities for a professional cinema workflow.


The new 61MP full-frame BSI CMOS sensor suits high-resolution stills shooting and up to UHD 4K video recording with 12-bit raw output when recording externally. The BSI design of the sensor achieves low noise and offers a sensitivity range up to ISO 25600 for working in low-light conditions. The sensor's design also now includes on-chip phase-detection autofocus, which greatly improves focusing speed and accuracy, especially when tracking moving subjects.


Beyond sensor upgrades, the fp L also introduces the ability to receive continuous power via USB-C to benefit extended recording times, such as when shooting time-lapses, extended clips, or when using the camera as a webcam. The sleek and minimal design of the camera body incorporates a rear 3.15" 2.1m-dot touchscreen LCD and the fp L is also compatible with the EVF-11 Electronic Viewfinder; an optional auxiliary EVF for clear eye-level monitoring. A single SD card slot is available for internal file saving and the fp L also supports recording directly to USB-C-connected hard drives, benefitting raw video recording and other large file size recording applications.

61MP Full-Frame BSI Bayer CMOS Sensor    UHD 4K30p Video with 12-Bit CinemaDNG    Hybrid Phase- and Contrast-Detection AF    3.15" 2.1m-Dot Touchscreen LCD    Up to 10 fps Shooting, ISO 100-25600    Continuous Power via USB-C    Director's Viewfinder Function    Crop Zoom Mode and Updated Color Modes    SD Card Slot, USB-C Drive Support    Included EVF-11 Viewfinder

Key Specs
Lens MountL-Mount
Sensor ResolutionActual: 62.4 Megapixel
Effective: 61 Megapixel (9520 x 6328)
Image Sensor36 x 24 mm (Full-Frame) BSI CMOS
Image StabilizationDigital (Video Only)
ISO Sensitivity Range100 to 25,600 in Auto Mode (Extended: 6 to 102,400)
Continuous ShootingElectronic Shutter
Up to 10 fps at 61 MP for up to 12 Frames (Raw) / 14 Frames (JPEG)
Internal Recording ModesCinemaDNG 8/10/12-Bit
3840 x 2160 at 23.98/24.00/25 fps
1920 x 1080 at 23.98/24.00/25/29.97/48.00/50/59.94/100/120 fps
H.264/MOV 4:2:2 8-Bit
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/48.00/50/59.94/100/120 fps
External Recording Modes4:2:2 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100/120 fps
Raw 12-Bit via HDMI
4096 x 2160 at 24.00 fps
3840 x 2160 at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100 fps
Media/Memory Card SlotSingle Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x Micro-HDMI 1.4 Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1x USB-C Input/Output
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1x 1/8" / 3.5 mm Control Input (Shared with Mic/Line Input)
WirelessNo
Display TypeFixed Touchscreen LCD
Battery Type1x BP-51 Rechargeable Lithium-Ion, 7.2 VDC, 1200 mAh (Approx. 240 Shots)
Imaging
Lens MountL-Mount
Sensor ResolutionActual: 62.4 Megapixel
Effective: 61 Megapixel (9520 x 6328)
Image Sensor36 x 24 mm (Full-Frame) BSI CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.5x/1.6x/2.5x/2x/5x
*Additional Crop Occurs in Select Video Modes
Image StabilizationDigital (Video Only)
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Rolling Shutter 
Shutter SpeedElectronic Shutter
1/8000 to 30 Seconds
Up to 300 Seconds in Bulb Mode
Bulb/Time ModeBulb Mode
ISO Sensitivity Range100 to 25,600 in Auto Mode (Extended: 6 to 102,400)
Metering MethodCenter-Weighted Average, Evaluative, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range-5 to 18 EV
White BalancePresets: Auto, Color Temperature, Custom, Daylight, Flash, Fluorescent, Incandescent, Overcast, Shade
Continuous ShootingElectronic Shutter
Up to 10 fps at 61 MP for up to 12 Frames (Raw) / 14 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 JPEG / Raw
60 MP (9520 x 6328)
26 MP (6240 x 4144)
15 MP (4768 x 3168)
9.8 MP (3840 x 2552)
2.5 MP (1920 x 1280)
16:9 JPEG
51 MP (9520 x 5352)
21.9 MP (6240 x 3512)
12.7 MP (4768 x 2680)
8 MP (3840 x 2160)
2 MP (1920 x 1080)
4:3 JPEG
53 MP (8432 x 6328)
22.8 MP (5520 x 4144)
13 MP (4224 x 3168)
8.6 MP (3408 x 2552)
2.1 MP (1696 x 1280)
1:1 JPEG
40 MP (6328 x 6328)
17 MP (4144 x 4144)
10 MP (3168 x 3168)
6.5 MP (2552 x 2552)
1.6 MP (1280 x 1280)
Aspect Ratio1:1, 2:1, 3:2, 4:3, 7:6, 16:9, 21:9
Image File FormatDNG, JPEG
Bit Depth14-Bit
Video Capture
Internal Recording ModesCinemaDNG 8/10/12-Bit
3840 x 2160 at 23.98/24.00/25 fps
1920 x 1080 at 23.98/24.00/25/29.97/48.00/50/59.94/100/120 fps
H.264/MOV 4:2:2 8-Bit
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/48.00/50/59.94/100/120 fps
External Recording Modes4:2:2 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100/120 fps
Raw 12-Bit via HDMI
4096 x 2160 at 24.00 fps
3840 x 2160 at 23.98/24.00/25/29.97 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100 fps
Fast-/Slow-Motion SupportSlow-Motion Only
Recording LimitNo
IP StreamingNo
Built-In MicrophoneStereo
Audio Recording2-Channel 16-Bit 48 kHz LPCM Audio
Interface
Media/Memory Card SlotSingle Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x Micro-HDMI 1.4 Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1x USB-C Input/Output
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1x 1/8" / 3.5 mm Control Input (Shared with Mic/Line Input)
WirelessNo
Mobile App CompatibleNo
Global Positioning (GPS, GLONASS, etc.)No
Monitor
Display Size3.15"
Resolution2,100,000 Dot
Display TypeFixed Touchscreen LCD
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 49
Autofocus Sensitivity-5 to +18 EV
Flash
Built-In Flash/LightNo
Flash ModesManual, Rear Sync, Slow Sync, Slow Sync/Red-Eye Reduction, TTL Auto
Maximum Sync Speed1/15 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemS-TTL
External Flash ConnectionShoe Mount
General
Battery Type1x BP-51 Rechargeable Lithium-Ion, 7.2 VDC, 1200 mAh (Approx. 240 Shots)
Shoe Mount1x Hot Shoe
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
2x 1/4"-20 Female (Side)
Material of ConstructionAluminum
Operating Conditions32 to 104°F / 0 to 40°C up to 85% Humidity
Dimensions (W x H x D)4.4 x 2.8 x 1.8" / 112.6 x 69.9 x 45.3 mm
Weight15.1 oz / 427 g (With Battery, Recording Media)
13.2 oz / 375 g (Body Only)
Packaging Info
Package Weight2.45 lb
Box Dimensions (LxWxH)6.6 x 6.5 x 5.2"

The standout feature of the fp L is the high-resolution, full-frame 61MP BSI CMOS sensor featuring a Bayer-style color filter array. The increased resolution greatly benefits photography applications that rely on fine details and it also benefits video recording by improving sharpness through down sampling. The BSI design helps to achieve accurate colors, smooth tones, and reduced noise when working in difficult lighting conditions. The sensitivity range from ISO 100-25600 suits working in a variety of lighting conditions and the dual base ISO configuration further ensures clean results.

  • Despite the use of a more conventional Bayer array sensor, Sigma has used their experience working with Foveon sensors to inform their decision to include a low-pass filter in the sensor design to help to suppress moiré for accurate color rendering.
  • Ultra-high resolution enables the Crop Zoom function, available for stills and video recording, which lets you crop into the image by up to 5x to simulate working with a longer focal length.
  • Electronic shutter only design helps to achieve the compact camera size and reduces the number of moving mechanical parts. This design results in quiet and shake-free shooting with a top shutter speed of 1/8000 sec, however, only affords a top flash sync speed of 1/15 sec.
  • Lossless compressed 14-bit raw stills are saved as DNG files for post-production flexibility.
  • Continuous shooting at full resolution is supported at up to 10 fps.
  • Various aspect ratios, ranging from the standard 3:2 to more unique 21:9, 7:6, and 2:1 ratios, can be used in-camera for help previsualize different output ratios.

 

In addition to the heightened resolution, the updated sensor also incorporates phase-detection autofocus support to enable an intelligent hybrid AF system. Using both contrast-detection and phase-detection focusing methods, the fp L has greatly improved focusing speeds and accuracy in various lighting conditions, and can also more efficiently track moving subjects. This focusing system is accurate down to -5 EV and has 42 selectable points that can be changed via the touchscreen interface.

Maintaining the same impressive video performance from the original fp, the fp L is still a strong contender for cinematic use due to its versatility in recording methods and raw recording output. Offering UHD 4K up to 30p and FHD 1080 up to 120p internally, or DCI 4K 24p output if recording externally, the fp L can record 8-bit CinemaDNG files to an SD card or output 12-bit CinemaDNG over USB-C or 12-bit raw over HDMI.

  • Camera body has an internal stereo microphone, suitable for scratch audio recording, and a 3.5mm microphone port for working with an external mic. If working with the EVF-11 Electronic Viewfinder, that accessory incorporates a 3.5mm headphone port for audio monitoring.

  • Making the fp L a unique tool for filmmakers working with other cameras in production environments, the camera can be used with a Director's Viewfinder mode to simulate the shooting range, frame guide, and field of view of other cinema cameras. This feature has been updated with the fp L with wider camera compatibility, and now includes ARRI ARRICAM, ARRIFLEX, ALEXA LF, ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT; Sony VENICE; and RED MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, and KOMODO 6K camera options.

  • For in-camera adjustment over color and tone, Color Modes can be applied and adjusted directly to footage. Two new Color Modes have been added with the fp L: Powder Blue and Duotone.

  • Electronic image stabilization helps to reduce camera shake when recording video.

  • Camera movement control is compatible with select gimbal models.

  • The fp L can be used as a webcam by simply plugging the camera into a computer via USB-C to send both video and audio signals to the computer.

  • Integrated Cinemagraph function for producing unique hybrid images that blend the movement of video with a still image.

  • Support for still capture during live view and movie shooting in Cine mode, as well as the ability to pull still frames from CinemaDNG and MOV movie files.

One of the key features of the fp series of cameras is the compact and minimal design that contributes to its modular ethos. Intentionally designed without a grip, without a viewfinder, and even without a hot shoe, the fp L can be built up using accessories to fit into a variety of specific production needs.

  • Compatible with accessory hand grips, viewfinders, plates, and a hot shoe unit to create a camera form factor that suits a variety of intended uses. The plain rectangular camera body shape also promotes easier compatibility with third-party cages and other rigging accessories.

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.

  • USB Type-C port supports continuous power, and in-camera battery charging, via an accessory power bank for extended shooting times, time-lapse recording, or other instances when longer battery life is required.

  • Included BP-51 lithium-ion battery pack provides approximately 240 shots per charge.

  • HDMI Type-D and 3.5mm microphone ports are also integrated in the body's design.

  • Integrated 3.15" 2.1m-dot LCD has a touchscreen design for intuitive handling.

  • Compatible with optional EVF-11 Electronic viewfinder, which attaches to the left side of the camera body, for eye-level monitoring.

  • Intuitive top switch for changing between CINE and STILL menu and user interface modes to suit different recording methods.

  • Benefitting working with multiple fp L cameras, custom settings can be saved and shared to other bodies via a QR code. Also, screenshots can be taken of the rear LCD and saved for review.

  • The body features three 1/4"-20 threaded mounts—two on the sides and one on the bottom—for connecting accessory grips, viewfinders, and even the camera strap, as well as the bottom mount for attaching the camera to a tripod or other mount.

  • Included HU-11 Hot Shoe Unit for external flash use or for working with other shoe-mounted accessories.

  • Large heat sink between LCD and camera body helps to efficiently dissipate heat and promote longer continuous recording times.

  • Dust- and splash-resistant body design promotes working in inclement weather conditions.

Related Questions and Answers

Q: 1. While the digital zoom on screen is handy, how does this new sensor handle physically mounted crop sensor lenses? Vignetted, or will UI/FW allows adjusting via the screen? Does it crop, for example, on Sigma's own APC lenses to ~25 MP similar to Sony's implementation using this sensor on their A7RIV?

A: According to Sigma, they state the Sigma fp L Mirrorless Digital Camera will do an automatic crop for DC APS-C lenses. There is no need to make any menu changes. The default crop would be approximately 1.53x. The maximum pixel count when using a DC APS-C lens would be between 24-30 megapixels. For lenses that do not automatically crop set the Crop Zoom lower limit to X1.53.

Q: 2. Are there any plans for higher frame rates like 4K 60p or 1080 240p for external recording via firmware updates?

A: We not aware of firmware upgrades for higher frame rates for the Sigma fp L at this time.

Q: 3. The overview notes 'battery pack provides approximately 240 shots per charge'. This sounds unimaginably small to me, is it based on some maximum application use? I am accustomed to many thousands of images with little battery use on my DSLR, is it typical for mirrorless cameras to have such short battery life?

A: Mirrorless cameras have poor battery life compared with DSLR cameras, although this a bit lower than average for mirrorless cameras--the Sony A7R IV gets 670 shots per charge.

Q: 4. Is it possible to transfer photos/videos directly to your phone via USB-C?

A: It is impossible to transfer photos/videos directly to your phone via the USB-C with the Sigma fp L Mirrorless Camera with EVF-11 Electronic Viewfinder.

Q: 5. what image stabilization does the Sigma Fp L have?

A: The fp L has digital stabilization for video only.

Q: 6. What is battery life like with the various recording modes and with the EVF?

A: While Sigma does not list estimated battery life for various video recording modes, the instruction manual does list on page 167 that the number of minutes of recordable continuous shooting is approximately 60 minutes per charge.

Q: 7. How is this an "8K Raw Recording and Broadcast Kit" when the Sigma fp l can only output 4K video?

A: The Sigma FP and the Ninja Ultra will only support up to 4k recording. However, the Ninja Ultra can support up to 8k recording with supported camera models.

Q: 8. Can I use Canon EF lenses with the Sigma fp L Mirrorless Digital Camera?

A: Yes, but you'll need an EF to L-mount adapter. https://bhpho.to/3wmQYB5

Q: 9. So current fp cages should work with this?

A: The compatible cages for the Sigma fp L are listed here: https://bhpho.to/3w21kqa

Q: 10. Is there a way to reduce the 61MP image size when taking RAW photos? For example, the 5D SR has the option to take 50MP, 28MP, or 12MP RAW images.

A: Yes, it is possible to adjust the image size for DNG files in the same way as JPEG files are sized.

25/09/2024

[L-Mount] This camera takes amazing pictures and footage and it's easy to use. I recommend to everyone

5
19/08/2024

[-5 to 18 EV] The quality of this camera is incredible, and the lens that comes with is amazing too!

5
25/07/2024

[S-TTL] This camera is just amazing!! Large format, ful frame mirrorless, 12 bit raw, 4k, everything in a small body., cheap!!!! I have no objections.

5
01/07/2024

[L-Mount] This is a fascinating camera that makes one pause and think deeply about the evolution of photography and cameras.
It complements the Fovean cameras I have owned or own.


It does not have a Foveon sensor, but the quality of the images are comparable and the versatility of the camera is superior.


Being so small, it is much easier to take with me, but I don't feel as if I am sacrificing anything.

5
28/06/2024

[L-Mount] Love this camera! The images are fantastic and the EVF helps to lock in the focus.

5
21/06/2024

[-5 to 18 EV] RAW files from the fp L are simply phenomenal. The color, resolution and just something else that brings it all together are amazing. After several hundred still images I'm still kind of shocked at how good they are. B&W conversions are excellent. Dynamic range is outstanding.

Yes, the camera is quirky (with the excellent EVF) but it's fairly straightforward to use. It's compact, but of course the lenses can be big. So far, I've used it with the Sigma 14-24/2.8, 24/3.5, 35/2 and Leica SL 50/2.

I shoot mostly landscapes, but I've also shot the dog and family without any weird electronic shutter artifacts.

I wish the on/off button was a different format, but other than that there's not much else I'd change. The EVF is fiddly to attach, but I like having the option to not use it (I also love the flexibility to angle the EVF).

Lots of superlatives in this review, but the fp L is that good.

5
09/06/2024

[DNG, JPEG] This is a powerhouse of a camera at a bargain price. The footage from this camera + 45mm lens simply can't be beat. Absolutely love this camera. There is somewhat of a learning curve but taking the time to master the fp is well worth it. Highly recommend.

5
04/06/2024

[L-Mount] I wanted the fp, and waited because of the reviews, and just stuck with my Canon, and Panasonic cameras with nice flippy screens. I'm using an external monitor( DJI Smart Controller that belongs to my Mavic Air 2 running Android so I could download CineEye App to see my fp L display). This thing is awesome! I get a lot more positives than negatives with the fp L. It's really easy to use, and super small. I'm using my other lenses with image stabilization (I still don't own a gimbal) and it does I.S. MOV 59.94p or less internal. Every feature in the manual it states works on my other lenses with half the weight. Auto focus isn't fantastic. It's okay in good light, but this thing can run cinema with no issues, and not overheat(2hrs straight). The menu layout is very simple, and I like that it's not confusing. Currently my favorite lenses are Panasonic 24-105mm with OIS on the fp L, and the SIGMA 45. If you want that look, it will do it, cine mode CDNG, or photo 61MP. I honestly think that it does as much as possible for the size and weight. The photos are awesome. The cinema is fantastic. No complaints.

5
26/05/2024

[1/15 Second] This is exactly the accessory that the Sigma fp cameras needed. This is a very nice evf that is particularly useful for the more photo-centric Sigma fp l. Highly recommended.

5

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