Get yourself the sound of the 1960s in your DAW-based productions with the Overloud TH-U '60s Expansion Pack Downloadfrom Overloud. This downloadable software helps you recreate the guitar tones of the most influential artists of the '60s, giving you amp sounds fitting for British Rock, Early Rock, Psychedlic, Blues, and more. The pack includes 6 emulated guitar amplifiers, 6 cabinets, and 11 effects, all representative of the 1960s. There are 36 preset patches to recreate guitar tones of famous songs throughout decade.

6 Guitar Amp Models and 6 Guitar Cabs    11 Effects    Tweak Preamp and Power Amp Tubes    Rig Player Loads Real-Life Guitar Rigs    36 Tweakable Preset Patches    Compatible with MIDI Pedalboards    Requires TH-U Full to Operate

Inspired by a Marshall 1959RR, this model is based on a Super Lead head with the Randy Rhoads mod. In this mod, the two input stages are cascaded for additional gain. You can select Input 1 for a more traditional SLP tone, or Input 2 for the modded channel. In input 2, VOL 1 knob acts as the standard Master Volume and the VOL 2 knob controls the additional gain.

Tube models can be changed into TH-U, to extend its tone palette. The pack also includes the IRs of a 4x12" 1960AW speaker cabinet, with 4 G12T-75 speakers.

Inspired by the 1958 Vox AC15, the Vox amp that started it all, it breaks up at lower levels and offers a slightly brighter tone than the AC30. Tube models can be changed to extend its tone palette. This model includes a model of its 1x12" cabinet based on a single 12" Celestion/Vox alnico speaker.

Inspired by the 1966 Fender Super Reverb, this amp is loud, proud, and punchy. This blackface 40W amplifier includes the Bright switch, with a response that changes according to the Volume settings in order to provide a solid, well-balanced, clean-to-crunchy tone.

This amp is a standard piece a lot of studios and collections. Tube models can be changed into TH-U, to extend its tone palette. It includes the model of its 4x10" speaker cabinet.

The Magnetic Delay component seeks to recreate the tone of a Binson Echorec 2, the drum delay unit used by David Gilmour and by the Shadows to create sounds that were quite innovative at the time. Only magnetic (tape and drum) delays were available in the '60s, as the bucket brigade circuits didn't allow long delay times, so this is a crucial effect to recreate the typical mood of that decade.

Inspired by the Maestro FZ-1 Fuzz, this was the first widely marketed guitar fuzz effect. Introduced in 1962, it became popular in 1965 after Keith Richards prominently used the it on Satisfaction. Based on three germanium transistors, it has a very brilliant tone. The Attack knob controls the amount of fuzz and the Volume knob can be used to set how hard it drives the amplifier.

This special treble booster allows you to separately control the total amount of boost and the amount of treble boost. This pedal is particularly useful when pushing it into saturation without muddying up the mix.

Related Questions and Answers

Q: 1. What is the radius that these mics will cover well. Instructions for the speakerphone mics says 7.5’. Is this the same?

A: The AVer VC520 Pro Expansion Microphone will pick up a voice 360° around the mic at up to 15 feet away.

Q: 2. Can the mark II transmitter transmit to mark i receivers? Or will this ONLY work within it's own generation, not backward compatible?

A: The Stealth Wireless MKII is not backwards compatible with previous generations.

Q: 3. Is this rack mountable?

A: The dual-channel transmitter in the Alto Professional Stealth MKII 2-Channel Wireless System for Powered Speakers does not have rack mounting points or threads built in, but could be used on a rack shelf such as the Auray RS-2U Rack Shelf (BH #AURS2U) as an alternative: https://bhpho.to/3DGT59w

Q: 4. Is it able to be adapted to the clamp of Gitzo 3382 DQ ball head? The safety screw position on the clamp of 3382 is bias from center line a little bit, so need to confirm this feasibility.

A: The safety screw on the Gitzo 3382 QD can be retracted to fit plates that do not utilize this feature.

Q: 5. What is the improvements or differences between the MKI and MKII?

A: The Alto Professional Stealth MKII 2-Channel Wireless System includes over 100 selectable channels (regionally dependent), while the original Stealth Wireless System had only 16 selectable channels. The MKII system also features a larger LCD screen which shows the RF frequency, channel number and the AF signal level for each channel, and it also has push buttons for channel and volume with + and - buttons to adjust the levels, as well as a mono/stereo switch. The original version had an LCD screen that only displayed the channel number and had a channel button, rotary volume controls, and a mono/stereo switch.

Q: 6. How wide is the field of view for the camera?

A: angle view 80 degree

Q: 7. What's the impedance of these headphones?

A: Tascam does not make this specification public.

Q: 8. Is there any signal delay caused by transmission?

A: The Alto Professional Stealth MKII 2-Channel Wireless System for Powered Speakers uses analog UHF wireless, which does not have latency.

Q: 9. Will this Dovetail Plate work with a Manfrotto MVH500AH fluid head?I want to be able to switch heads on my RRS leveling plate.

A: No, it will not.

Q: 10. How long is the shorter, coiled cable?

A: The coiled cable included with the Tascam TH-07 High-Definition Monitor Headphones extends from approximately 4 to 6 feet.