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Tokina Ef Mount Shim Kit For 50-135mm T2.9 Mkii Cinema Lens

Tokina Ef Mount Shim Kit For 50-135mm T2.9 Mkii Cinema Lens
  • Product Code: eq96450
  • Availability: In Stock

$1,200.00 $1,812.00

The Tokina EF Mount Shim Kit for 50-135mm T2.9 MKII Cinema Lensfrom Tokina EF Mount Shim Kit for 50-135mm T2.9 MKII Cinema Lensenables users to convert their Tokina Cinema 50-135mm T2.9 MKII zoom lens to an EF Mount. This set includes the mount, a shim set, a screw set, and a rear lens cap.

As the flange-focal distance can vary among camera types, it can be necessary to make adjustments when switching between lens mounts or camera models. To perform this adjustment, the shim set provides 0.02mm, 0.05mm, and 0.1mm thicknesses.

Converts Lens to EF Mount    For Tokina Cinema 50-135mm T2.9 MKII    Shim Set with Screws    Rear Lens Cap

Parameters
Lens CompatibilityTokina Cinema
ATX 50 to 135mm T2.9 Mk II
Camera MountCanon EF
Electronic CommunicationNo
Included Shims0.02 mm
0.05 mm
0.1 mm

Tokina Cinema 50-135mm T2.9 MKII zoom lens

Related Questions and Answers

Q: 1. Would this lens work on a GH5s with a .63 speedbooster?

A: I'm not aware of the adapter in question but yes, you can adapt the Tokina 50-135mm T2.9 Mark II Cinema ATX Lens (Canon EF Mount) to work with the GH5, or you could buy the MTF mount and mount the lens natively as well.

Q: 2. It says parfocal design, But is it a parfocal lens with constant T2.9? and will it wok with BM Broadcast G2?

A: Yes, If you switch the URSA Broadcast standard mount to the Canon EF mount which is included with the URSA Broadcast G2 package. You would be able to work with the Tokina 50-135mm T2.9 Mark II Cinema ATX Lens - Canon EF Mount.

Q: 3. How does the Mark II differ from the Mark I?

A: Mark I: T3 Full-Frame Sensor coverage 114mm Front Diameter Bulkier design Mark II: T2.9 Super 35 Sensor coverage 95mm Front Diameter with 86mm Filter Thread Sleeker Design

Q: 4. will this lens work on a z cam-e2 with a m 4/3 sensor?

A: Yes, the Tokina 50-135mm T2.9 Mark II Cinema ATX Lens (MFT Mount), will indeed work on the MFT lens mount it is designed to be used on.

Q: 5. Will this cover red dsmc2 8k sensor?

A: The Tokina 25-75mm T2.9 Lens has a 36mm image circle. Any RED sensor that is less than or equal to 36mm will be covered.

Q: 6. Does this lens have /i or LDS support?

A: no this does not support Cooke-i or ARRI LDS

Q: 7. Can anyone tell me the difference between this lens there old one the Tokina Cinema AT-X 50-135mm T3.0?

A: The differences between the Tokina Cinema 50-135mm T3.0 with Canon EF Mount and the Tokina 50-135mm T2.9 Mark II Cinema ATX Lens (PL Mount) are mostly in the physical design of the lenses. See: https://bhpho.to/3tJBHev

Q: 8. can you use a 95mm clamp on matte box?

A: The front diameter on the Tokina 50-135mm T2.9 Mark II Cinema ATX Lens (PL Mount) is 95mm but the filter thread is 86mm. If clamping, it will work.

Q: 9. weight pls?

A: The Tokina 25-75mm T2.9 Lens (PL Mount) weighs 2kg.

Q: 10. For its 36mm image circle, does this lens cover the whole sensor of Panasonic S1H? Thanks.

A: No, this lens' image circle is meant for Super35 sensors and the Panasonic S1H has a full frame sensor.

29/09/2024

[Canon EF] Love this lens, love that's parfocal which comes in handy when filming documentaries. Look from this lens is something special. People seem to pop from the background. Awesome zoom range.

5
18/08/2024

[Canon EF] Lines are great! almost no warping - astonishingly aspherical— superior to the previous generation 11-16mm. Good on 4k, but low resolution image starts to show itself when wide open. T4/5.6 is the super sweet spot. Great bang for the buck.

5
18/08/2024

[Canon EF] Expensive but worth it.

5
12/08/2024

[Canon EF] The 11-20 ATX is a great wide angle geared cine lens, it matches close enough to the Tokina Vista Primes, which is nice for swapping for a lighter and smaller rig for gimbal shots inside cars and tight spaces. The added threaded filters are perfect for not needing to use a matte box to drop in ND’s saving more space and weight. The FIZ rings have the perfect amount of resistance and are butter smooth. Focus rotation from it’s closest point to infinity is about 300 degrees, so doing a smooth pull will be much easier with a remote focus unit. Lastly not a lot of distortion in its widest, and it’s almost non existent at 20.

5
02/08/2024

[Canon EF] First time I’ve ever been impressed with a lens right away. Super sharp and the blacks are really nice.
Only used 2-3 times but it’s already a keeper.

5
01/08/2024

[Canon EF] Very happy with this lens. A good investment.

5
12/07/2024

[Canon EF] From music videos, documentaries, narratives, and many more! When filming solo or on a time crunch this zoom has served me well. It has very sharp beautiful image, this is a good lens to pair with the Tokina Vista primes. As much as I love things being sharp, I've been loving the Tokina black supermist 1/8 to give it subtle softness and adding even a more filmic look to the image.


I like leaving one camera on the MoviPro with a prime and than having another camera handheld with this mk 2. Compared to the mk1, it feels solid, durable, and compact. To have cinema like quality at a small size is so gucci, especially if you need to keep a small foot print! ...and for all you Komodo enthusiast, it looks wonderful on that too!

5
01/07/2024

[Canon EF] Sharp, very low distortion, great build quality. Best lens I own.

5
15/06/2024

[Canon EF] I needed something wider than my Fujinon MK 18-55, took the chance on this lens.
I was a bit concerned with color matching but it actually pairs wonderfully with it. Its a bit heavy, but not surprising considering the amount of glass. construction quality is great and the IRND comes in handy on my B camera kits.

5
13/06/2024

[Canon EF] Love how well constructed is this lenses and its performance. No chromatic aberrances in its widest at 11mm. None noticeable vignettes and vertical distortion at the sides of the image. One of my wise investments! Use it with BMPCC6KPRO.

5

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