Ultra-wide with a flexible-yet-exacting design, the Nikon NIKKOR Z 14-24mm f/2.8 S Lens with Casefrom Nikon NIKKOR Z 14-24mm f/2.8 S Lens with Caseis a wide-angle zoom distinguished by its advanced optical design and bright f/2.8 constant maximum aperture. This fast design suits working in low-light conditions when shooting handheld and also offers improved depth of field control. The optical system utilizes four extra-low dispersion elements and three aspherical elements, which reduce a variety of aberrations and distortion in order to achieve high sharpness and clarity along with accurate rendering of subjects and point light sources, such as stars. ARNEO and Nano Crystal Coats, as well as a Super Integrated Coating, have also been applied to suppress flare, ghosting, and surface reflections for improved contrast and color fidelity.

Complementing the optical design, a stepping motor helps to realize impressively fast, accurate, and quiet autofocus performance, along with full-time manual focus override, to suit both stills and video needs. The lens also has a unique physical design, which incorporates a top OLED information panel that can be used to quickly confirm aperture and focus settings, and an assignable L.Fn button permits making exposure and settings adjustments via the lens. Two lens hoods are included with the Z 14-24mm f/2.8 depending on working needs: the HB-96 maintains a sleeker overall size while the HB-97 hood gives the unique advantage of permitting 112mm threaded filters to be attached. Additionally, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.

Z-Mount Lens / FX Format    Aperture Range: f/2.8 to f/22    Four ED and Three Aspherical Elements    ARNEO and Nano Crystal Coatings    Stepping Motor AF System    Programmable Control Ring    Information OLED Panel and L.Fn Button    Accepts 112mm Filters and Rear Gels    Padded Lens Case

Ultra-wide zoom is designed for FX-format Z-mount mirrorless cameras but can also be used with DX models where it provides a 21-36mm equivalent focal length range.

Constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also benefits working in difficult lighting conditions and using selective focus techniques.

Three aspherical elements are used to reduce spherical aberrations and distortion in order to realize sharp imagery with accurate rendering.

Four extra-low dispersion elements greatly reduce color fringing and chromatic aberrations throughout the zoom range in order to produce greater clarity and color rendering.

ARNEO and Nano Crystal Coats are used to prevent ghosting, reflections, and flare in order to realize improved contrast and clarity when working in strong lighting and backlit conditions. The Nano Crystal Coat controls incidental light from a diagonal direction while the ARNEO Coat controls incidental light from a vertical direction. A Super Integrated Coating is also featured on multiple elements to help ensure consistently accurate colors.

Stepping motor offer impressively smooth and quiet autofocus performance that is well-suited to both stills and video applications. Full-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.

Programmable Control Ring is, by default, set to adjust manual focus, but can also be used to control aperture or exposure compensation.

Integrated OLED lens information panel allows you to quickly confirm aperture setting, focus distance, and depth of field figures right on the lens in both bright and dark situations.

Assignable L.Fn button works in conjunction with camera based Fn buttons to provide a seamless point for quickly changing exposure settings and other functions.

Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.

Rounded nine-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Dust- and moisture-resistant lens barrel benefits the lens' use in inclement conditions.

When the included HB-97 Lens Hood is attached, 112mm threaded filters can be used on the front of the lens. The rear of the lens also incorporates a slot for inserting cut gels and other filter sheets.

Related Questions and Answers

Q: 1. How would this work shooting real estate video?

A: Yes the Nikon NIKKOR Z 14-24mm f/2.8 S Lens is a good option for real estate videos as it is very wide and you can place a large angle of the room in the video.

Q: 2. nikon 1.4 teleconverter

A: No, the Nikon NIKKOR Z 14-24mm f/2.8 S Lens is not compatible with any Nikon teleconverters.

Q: 3. What are some other uses for this lens, other than landscape photos?

A: Interiors and real-estate, architecture, music videos, some niche event shooting (church interiors, conference halls, etc).

Q: 4. Does it have front screw mount filters? If so what size? Prior G lens was so convex that you had to buy big adapters.

A: Yes, it accepts screw-mounted filters. The size is 112mm.

Q: 5. Have any of you tested the Z 20 mm f1.8 prime or the Z 24 mm f1.8 prime to the 20 mm and/or 24 mm on this Nikon NIKKOR Z 14-24mm f/2.8 S Lens, particularly for astro images? I'm a big fan of the old Ai-S 20 mm and 24 mm focal lengths and am wondering if the 20 mm and 24 mm focal distances on this zoom are as good (or nearly as good) as the new Z primes of the same focal lengths. I'm debating between buying the primes or the zoom. Thanks for your time, Andy

A: This lens or a Z 20mm f/1.8 would be excellent for astrophotography. There are some samples images for the Z 14-24mm f/2.8 S lens showing these types of images.

Q: 6. Good lens for astrophotography?

A: Nikon NIKKOR Z 14-24mm f/2.8 S Lens is one of the best option recommended for ultrawide angle composition if you need a panorama view on your images. This lens recreate 114° angle of view with very minimum distortion due to its high end optical quality. It also offers improve depth of field control when shooting wide open at f/2.8.

Q: 7. Will a polarizer filter plus a nd filter vignette when used together with this lens or must a combination polarizer/nd be purchased?

A: There is no vignetting when you stack two filters (112mm size), attach on the Nikon HB-97 Lens Hood which is available in the box with the Nikon NIKKOR Z 14-24mm f/2.8 S Lens.

Q: 8. Does the new 14-24 lens have the same petal design as the F mount lens? I have a Progray filter holder/filters that works great and I wouldn't want to change my filter system. I know the new lens has two petal adapters, but not sure it's the like the older version.

A: The Nikon NIKKOR Z 14-24mm f/2.8 S Lens requires a different filter holder than the Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens. The petal design is different.

Q: 9. Is the A-M switch toward the rear of the lens for Auto & Manual focusing?

A: Yes, the A-M switch on the Nikon NIKKOR Z 14-24mm f/2.8 S Lens is for Auto focus or Manual focus. You can see that information in the manual at this link, https://bhpho.to/3YTdLCA .

Q: 10. How is it for city light starbursts? I'm looking for a wide lens for city lights. I really love voigtlander starbursts but I see they are limited so far with the Z Mount.

A: The Nikon NIKKOR Z 14-24mm f/2.8 S Lens may be used for city light starbursts if you use a small aperture on the lens (i.e., f/11, f/16, or f/22). As the lens has nine (9) aperture blades and lenses with an odd number of aperture blades create twice as many starbursts, this lens would produce 18-point starbursts.