[LED] Bought two for a client’s home office video podcast and Zoom meetings. These lights achieve a professional look at a modest cost. 60 watts gives enough output to use a softbox to diffuse the lights. Bi-color, dimmer and RGB adds great flexibility. Although these will be used on AC power, the battery option is nice for location shooting. The metal construction allows for better heat dissipation and durability. Quality build all around. Looking forward to using the lights on a daily basis.

[2700 to 6500K] This light is manufactured by Tolifo, and they make fantastic lights. So don't let the distributer's name fool you; this thing is great. It's a little smaller than it looks, but for me that was a welcome surprise. It's an all metal design, very well built. It's really bright, and my measurements aren't scientific, but I used it recently for a music video shoot and was blown away with how wide the spread was. The description doesn't mention it, but it comes nicely packed in a carrying case that looks like a laptop bag, but a well padded one. If you try to buy the original one on AliExpress it costs double the price, so grab this while you can! (That one includes a remote though, a $15 separate purchase on Ali if you really need it).


Awesome job hiding this gem.

[100 W ] We shoot a lot on-location. Often it is a short session but we need good lighting, especially for green screen and interior scenes. These lights allow us to set up and take down very quickly without the hassle of looking for AC outlets and laying wires. We can even use them outdoors where we need a little fill or backlighting with no access to AC power. They allow us the Freedom to do it all. They're rugged, top-quality lights that are built to last. Great heavy-duty nylon cases as well. Love them!

[2700 to 6500K] While this is not the quality of my favorite LED panel that comes in the bright yellow flight case, for the money, these are great. I needed DMX functionality on a budget, and this light serves it up.

One note on the DMX functions. You can control brightness, color temp, and hue but this is not documented. Once you set the DMX channel for the fixture as outlined in the docs (call it channel x), that channel controls brightness. DMX channel x+1 controls color temp, and DMX channel x+2 controls hue. Changing the hue value puts the light into RGB mode. Changing the color temp value puts the light into white mode.

B&H connected me with the manufacturer to figure out the DMX stuff, and they were prompt with their reply.

[2700 to 6500K] Purchased two to use for location interviews and production videos. DMX option allows me to add them to existing studio set up for control through a lighting board when necessary. Quick and easy adjustment of color temperature, brightness and RGB color selection. Vents to cool the light is nice as it does get warm. Would have been nice to include some preset RGB lighting effects as some light do. Though not a high priority. Bi-color fixtures tend to lose some intensity, but these still pack a punch. Very clean, broad and smooth look. Solid build of the body and 4-way barn doors should hold up for location shooting.

CamBee/Fiil Technology customer service is excellent. Response is very quick and accommodating, ready to answer any question.

[2700 to 6500K] It works very well

[100 W ] Ideales para entrevistas y filmar b-roll de calidad. Al tener bateras las pods llevar a donde quieras, son muy livianas y dar mucha luz.

[2700 to 6500K] This light packs a lot of punch. Great big source with good throw and a lot of spread. Nice even soft light. Well suited for green screen. Full spectrum color temp. Professional construction. Solidly built. Doesn't run hot. Thin design. Perfect for studio use as well as in the field. Love the built in ballast with DMX control. Very economical alternative to Skypanel.