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Sony Urx-p41d Dual-channel Wireless Receiver Uc14 470-542mhz

Sony Urx-p41d Dual-channel Wireless Receiver Uc14 470-542mhz
  • Product Code: eq99082
  • Availability: In Stock

$1,764.00 $2,734.20

The fourth-generation Sony URX-P41D Dual-Channel Wireless Receiver UC14 470-542MHzis a dual-channel, camera-mount wireless receiver that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The receiver is packed with professional features, including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you—so you're ready to shoot two people talking simultaneously directly to your camera within seconds.

The URX-P41D offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. It features a lightweight, low-profile design for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The URX-P41D is backward-compatible with WL-800, UWP Series, and third-generation UWP-D transmitters.

Open Box Products Have a Limited 1-Year Manufacturer Warranty    For UWP-D Wireless Systems    2-Channel Camera-Mount Receiver    True-Diversity Reception    2772 Auto-Scan Frequencies    One-Button Scan and Sync /NFC & IR Sync    Wired Mic Input    Headphone Output    Bright OLED Display, 4-Channel Mixer    4.5-Hour AA Batteries + USB Power    Up to 16 Mics on Set / 330' Range

Key Specs
Wireless TechnologyAnalog UHF
DiversityTrue Diversity
Max Operating Range330' / 100.6 m
Receiver TypeCamera-Mount
Number of Audio Channels2
Audio I/O2x 1/8" / 3.5 mm TRS Female Balanced Output (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output (Locking)
Network I/ONo
Power RequirementsBattery, Bus Power (USB)
Parameters
Number of RF Channel Frequencies2772
DiversityTrue Diversity
RF Frequency Band470.125 to 541.875 MHz
RF Bandwidth72 MHz
Frequency Step Size25 kHz
RF Channel ScanningAuto-Scan
Max Operating Range330' / 100.6 m
Max Transmitters per Band16
Timecode SupportNo
Mobile App CompatibleNo
Latency0.24 to 0.35 ms
ModulationFM
SNR96 dB
THD<0.9 %
Receiver
Receiver TypeCamera-Mount
Mounting OptionsBelt Clip, Shoe-Mount (with Included Hardware)
Antenna2x 1/4 Wave External, Fixed (Top-Mount)
Number of Audio Channels2
Built-In MicrophoneNo
Audio I/O2x 1/8" / 3.5 mm TRS Female Balanced Output (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output (Locking)
Gain Range-12 to +12 dB (3 dB Steps)
Audio Output Level-60 to -20 dBV
Frequency Response23 Hz to 18 kHz
Network I/ONo
Word Clock I/ONo
USB/Lightning Connectivity1x USB-C Female (Bus Power)
USB Class-CompliantNo, USB Charging/Power Only
Standalone Audio Interface CapableNo
Power RequirementsBattery, Bus Power (USB)
Battery Type2x AA (Not Included)
Approx. Battery Life4.5 Hours (Alkaline)
DC Input Power5 VDC (USB Bus Power)
Display & IndicatorsOLED (AF Level, Battery Status, Channel, Frequency, Menu Navigation, Peak, RF Level)
HousingMetal
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 131°F / -20 to 55°C
Dimensions2.5 x 2.8 x 1.4" / 63 x 70 x 35 mm (without Antennas)
Weight5.6 oz / 159 g (without Batteries)
Packaging Info
Package Weight1.4 lb
Box Dimensions (LxWxH)12.2 x 7.7 x 2.9"

NFC Automatic Channel-Setting Mode
Press and hold the NFC/Sync button, and the dual receiver scans for the two cleanest RF channels (one for each transmitter). Simply hold the transmitters next to the receiver; it automatically syncs up and you’re good to go!

High-Gain Mode for DSLR and Mirrorless Cameras
The High-Gain mode boosts the output level of the receiver, allowing you to turn down the input gain of your DSLR/mirrorless camera to achieve an even quieter signal.

External Mic Input for Additional Wired Microphone
There is an external mic-input connector on the receiver for plugging in an additional wired microphone. It allows for up to four-channel audio recording when using a stereo microphone.

Built-In 4-Channel Mixer
The URX-P41D offers a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 and/or 2 as needed.

High-Visibility OLED Display for Indoor/Outdoor Use
The URX-P41D features an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.

Channel Memory Function for Fast Switching Between 4 Transmitters
The channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between up to four mics in corporate presentations or quickly swapping to back-up mics.

To achieve stable audio, the URX-P41D employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for output—reducing dropouts to a minimum (True diversity is available only in single-channel mode. In dual-channel mode, the receiver relies on antenna diversity).

The angle of the two antennas can be adjusted to further prevent signal dropouts.

Great for videographers traveling to different cities, the All-Band scanning function scans the entire spectrum of the receiver to give you the two best frequencies at your shooting location. The system offers a 72 MHz bandwidth with 2772 UHF frequencies.

Unlike with traditional analog wireless systems, The URX-P41D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound that’s intelligible and nuanced.

The URX-P41D features a robust, all-metal construction well suited for tough operating conditions.

Using the included shoemount adapter, the URX-P41D easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio inputs.

The optional SMAD-P5 digital MI Shoe adapter allows you to integrate the URX-P41D with XDCAM camcorders and select Sony cameras equipped with a digital Multi Interface Shoe.

  • This setup provides a direct digital connection, skipping the receiver’s D/A and camera’s A/D converters for superior audio quality and low noise.
  • Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
  • This cable-free configuration allows for fast setup in the field.

Two AA batteries (alkaline or NiMH rechargeable type) power the URX-P41D for up to 4.5 hours.

A battery count-up timer allows for accurate reading of battery running time to minute accuracy.

The URX-P41D can also be powered through its USB port, allowing it to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.

With the SMAD-P5 Digital MI Shoe adapter, the URX-P41D can get power directly from Sony cameras equipped with an MI Shoe.

Cartridge-type battery cases allow for quick battery replacement on set.

If your camera doesn’t have a headphone jack, Phone mode lets you monitor your sound via the receiver’s headphone output while recording.

  • The URX-P41D provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control.
  • Simple menus make navigation easy. Advanced menus for in-depth control are also available.
  • You can operate up to 16 mics per frequency band in one location.

This fourth-generation URX-P41D receiver can be used with UWP Series, third-Generation and fourth-generation UWP-D Series, and WL-800 Series transmitters.

Related Questions and Answers

Q: 1. Is there a 3.5mm to TA3 cable to plug this into an 833 TA3 input?

A: A cable such as the Cable Techniques 3.5mm TRS to TA3F Balanced Cable (BH #CACTS2KT318) could be used to facilitate connection between the locking 3.5 mm TRS female balanced output on the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver and the TA3 input connections on the Sound Devices 833 Multitrack Field Recorder.

Q: 2. Which is the best of the three band choices for New York City?

A: The three frequency ranges of the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver all have many available channels for use in the New York City area. With 2,772 frequencies in each band and the ability to scan for the cleanest channel based on location, each range should have minimal issues finding an open frequency, even in dense RF environments. The UC14 and UC25 bands are most common and recommended in this scenario.

Q: 3. Is it possible to use manual audio gain also as all 4 channels on a sony a7sIII via MI shoe? (because on older P03D its only automatic and 2 channel)

A: You can use the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver together with the Sony SMAD-P5 Digital MI Shoe Adapter for UWP-D Series (B&H # SOSMADP5) to connect to the Sony a7S III MIrrorless Camera via the multi interface shoe. The URX-P41D offers a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 and/or 2 as needed.

Q: 4. will it work with UTX B03 mics? Or the mic transmitter utxPO3?

A: The Sony URX P41D Dual-Channel Camera-Mount Wireless Receiver is compatible with UTX B03, UTX P03, or UTX M03 transmitters. Just make sure the frequency range of the transmitter matches the receiver.

Q: 5. Does this work for both channels in a Sony X400 camera?

A: Hi Tom, Yes. Thanks, Erin

Q: 6. Will the balanced output drive a device that requires line level input? I was thinking of connecting it directly to the line level input of the Radial EXO-POD.

A: The Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver is only capable of Mic level output signals and does not offer Line level output.

Q: 7. Does the URX-P41D provide a stereo digital Mi connection with a FX30 camera when used in conjunction with the SMAD-P30 adaptor?

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver can send stereo audio into the MI shoe of a Sony camera, but the adapter you would need is the SMAD-P5.

Q: 8. If utilizing this receiver with a Sony FX-3 and the SMAD-P5 and using two transmitters, is the system still true diversity? Also, is auto gain control the only option with the SMAD-P5 and the FX-3?

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver still uses true diversity reception when receiving audio from two transmitters and connected to the Sony SMAD-P5 Digital MI Shoe Adapter.

Q: 9. Can this unit be powered by the USB port?

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver can run on USB power.

Q: 10. Does this unit work with the Sony UTX-P40 Wireless Plug-On Transmitter (UC90: 941 to 960 MHz)?

A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver (UC90: 941 to 960 MHz) is compatible for use with the Sony UTX-P40 Wireless Plug-On Transmitter (UC90: 941 to 960 MHz).

17/08/2024

[2] Worth the money. Reliable for studio use in educational video production.

I keep it on a sennheiser mkh 416. Clean. I scan for a new frequency every session. I tend to keep it plugged in via USB For continuous power, running it into a Sony mi interface, directly into a Sony a7s3.

Great on handheld and other mics.

Its decent for Shute sm7b, which is power hungry, but gets the job done nicely.

416 is my favorite mic for this.

Studio is by major Burbank movie studios, city power grid, and airport but no problems in 6 months of heavy, daily use.

5
19/07/2024

[Camera-Mount] While everyone is going with the Sennheiser, I decided to go for the Sony due to its price and dual channel capability.

The connectivity is quick with each transmitter, and you can pretty much set it and forget it for all your future shoots. The signal and sound quality is also superb. I used it for many professional sound jobs. With good lavs and mic techniques, you won't need to spend thousands on a good wireless system.

5
05/05/2024

[1.4 lb] so far so good no complaints it works well

5
28/04/2024

[Analog UHF ] It is getting to be harder to find 2 or 4 clear channels depending on where you are. The all band receiver saves me a lot of time searching for clear channels across all 3 bands. The second channel works like the URX-P03D while making the Transmitter programming much easier.

5
30/11/-0001

[FM] I purchased a Sony kit with a dual-channel receiver and two belt packs. To this I added a wireless handheld microphone and most recently the UTX-P40 Plug-on transmitter. This system has worked flawlessly, even in noisy environments like downtown Chicago. Configuration of the components is confusing, but nearly identical in each device. If you have NFC, configuration of the transmitters is automated. Unfortunately my receiver does not have NFC.

5
30/11/-0001

[Camera-Mount] Works perfectly with the rest of the Sony Wireless products. Super simple to set up & great quality. Coming from another really good set of packs & impressed so far.

5

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