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Sony Uwp-d27 Wireless Lavalier Microphone System Uc14

Sony Uwp-d27 Wireless Lavalier Microphone System Uc14
  • Product Code: eq99086
  • Availability: In Stock

$3,294.00 $5,237.46

Made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew, the 4th-generation Sony UWP-D27 Wireless Lavalier Microphone System UC14is a dependable 2-channel, camera-mount wireless lavalier microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. This compact system is packed with professional features including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you—so you're ready to shoot two people talking simultaneously directly to your camera within seconds. It is ideal for documentaries, wedding videos, YouTube content, corporate spots, hands-free interviews, and more.

The UWP-D27 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes two bodypack transmitters, each with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The UWP-D27 is backward-compatible with Sony WL-800, UWP Series, and third-generation UWP-D transmitters.

2-Person Interviews, ENG, Vlogs, Video    2-Channel True-Diversity Receiver    2 Bodypack Transmitters with Auto Gain    2 Omnidirectional Lav Mics    2772 Auto-Scan Frequencies    One-Button Scan and Sync /NFC & IR Sync    Bright OLED Display, 4-Channel Mixer    Headphone Output, Wired Mic Input    4.5-Hour AA Batteries + USB Power    Up to 16 Mics on Set / 330' Range

Key Specs
Wireless TechnologyAnalog UHF
Included Transmitters2x Bodypack with Microphone
DiversityTrue Diversity
Max Operating Range330' / 100.6 m
Receiver TypeCamera-Mount
Microphone TypeLavalier
Polar PatternOmnidirectional
System
Wireless TechnologyAnalog UHF
Number of RF Channel Frequencies2772
Included Transmitters2x Bodypack with Microphone
DiversityTrue Diversity
RF Frequency Band470.125 to 541.875 MHz
RF Bandwidth72 MHz
Frequency Step Size25 kHz
RF Channel ScanningAuto-Scan
Max Operating Range330' / 100.6 m
Max Transmitters per Band16
Built-In RecorderNo
Timecode SupportNo
Mobile App CompatibleNo
Latency0.24 to 0.35 ms
EncryptionNo
ModulationFM
SNR96 dB
THD<0.9 %
Receiver
Receiver TypeCamera-Mount
Mounting OptionsBelt Clip, Shoe-Mount (with Included Hardware)
Antenna2x 1/4 Wave External, Fixed (Top-Mount)
Number of Audio Channels2
Built-In MicrophoneNo
Audio I/O2x 1/8" / 3.5 mm TRS Female Balanced Output (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output (Locking)
Gain Range-12 to +12 dB (3 dB Steps)
Audio Output Level-60 to -20 dBV
Frequency Response23 Hz to 18 kHz
Network I/ONo
USB/Lightning Connectivity1x USB-C Female (Bus Power)
USB Class-CompliantNo, USB Charging/Power Only
Power RequirementsBattery, Bus Power (USB)
Battery Type2x AA (Not Included)
Approx. Battery Life4.5 Hours (Alkaline)
DC Input Power5 VDC (USB Bus Power)
Display & IndicatorsOLED (AF Level, Battery Status, Channel, Frequency, Menu Navigation, Peak, RF Level)
HousingMetal
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 131°F / -20 to 55°C
Dimensions2.5 x 2.8 x 1.4" / 63 x 70 x 35 mm (without Antennas)
Weight5.6 oz / 159 g (without Batteries)
Transmitter
Transmitter TypeBodypack
RF Output Power5 / 30 mW
Audio I/O1x 1/8" / 3.5 mm TRS Male Unbalanced Input (Locking)
MutingMute Switch
Audio Input Level+60 dBV (Mic Level)
+4 dBu (Line Level)
Auto-Level ControlYes
Gain Range0 to 21 dB (3 dB Steps)
Signal ProcessingNo
Frequency Response23 Hz to 18 kHz
Sync MethodNFC
Antenna1x 1/4 Wave Internal, Fixed (Beltpack)
Power RequirementsBattery, Bus Power (USB)
Battery Type2x AA (Not Included)
Approx. Battery Life8 Hours (Alkaline)
USB/Lightning I/O1x USB-C (Bus Power)
Display & Indicators1x OLED (Audio Level, Battery Status, Peak, RF Output Power)
HousingMetal
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 131°F / -20 to 55°C
Dimensions2.5 x 3.2 x 0.8" / 63 x 82 x 20 mm (without Antennas)
Weight5.3 oz / 149 g (without Batteries)
Microphone
Microphone TypeLavalier
Sound FieldMono
CapsuleElectret Condenser
Polar PatternOmnidirectional
Frequency Range40 Hz to 20 kHz
Sensitivity-43 dB at 1 kHz
Output Connector1x 1/8" / 3.5 mm TRS Male Unbalanced (Locking)
Cable Length3.9' / 1.2 m
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 131°F / -20 to 55°C
Length0.8" / 19.5 mm
Diameter0.3" / 6.8 mm
Weight0.6 oz / 16.2 g
Packaging Info
Package Weight2.115 lb
Box Dimensions (LxWxH)12.1 x 11.2 x 2.9"

NFC Automatic Channel-Setting Mode
Press and hold the NFC/Sync button, and the dual receiver scans for the two cleanest RF channels (one for each transmitter). Simply hold the transmitters next to the receiver; it automatically syncs up and you’re good to go!

Unlike purely digital systems, the UWP-D27 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.

Auto-Gain Mode to Prevent Mic Distortion
Auto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenter’s voice is unknown.

The +15 dB Gain Volume-Boost mode on the transmitters boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenter’s mouth and the audio level is insufficient.

Manual input-level setting is also available.

High-Gain Mode for DSLR and Mirrorless Cameras
The High-Gain mode boosts the output level of the receiver, allowing you to turn down the input gain of your DSLR/mirrorless camera to achieve an even quieter signal.

External Mic Input for Additional Wired Microphone
There is an external mic-input connector on the receiver for plugging in an additional wired microphone. It allows for up to four-channel audio recording when using a stereo microphone.

Built-In 4-Channel Mixer
The receiver features a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 or/and 2 as needed.

High-Visibility OLED Display for Indoor/Outdoor Use
Both transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.

Channel Memory Function for Fast Switching Between 4 Transmitters
The channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between up to four mics in corporate presentations or quickly swapping to back-up mics.

DSP Filter Removes Occupancy Sensors Artifacts
Two levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern “green” buildings to turn off lights when people leave a room.

To achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for output—reducing dropouts to a minimum (True diversity is available only in single-channel mode. In dual-channel mode, the receiver relies on antenna diversity).

The angle of the two antennas can be adjusted to further prevent signal dropouts.

Great for videographers traveling to different cities, the All-Band scanning function scans the entire spectrum of the receiver to give you the two best frequencies at your shooting location. The system offers a 72 MHz bandwidth with 2772 UHF frequencies.

Unlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound that’s intelligible and nuanced.

The ECM-V1BMP lavalier mic is optimized for capturing clear and intelligible speech. This omnidirectional mic picks up sound from every direction, allowing for a variety of placement options and freedom of movement.

The UWP-D27 features a robust, all-metal construction well suited for tough operating conditions.

The compact bodypack transmitter is lightweight and comfortable for the talent to wear. A locking, 3.5mm BMP-type microphone input connector ensures that your lav doesn’t detach at a critical moment.

Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio inputs.

The optional SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and select Sony cameras equipped with a digital Multi Interface Shoe.

  • This setup provides a direct digital connection, skipping the receiver’s D/A and camera’s A/D converters for superior audio quality and low noise.
  • Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
  • This cable-free configuration allows for fast setup in the field.

Two AA batteries (alkaline or NiMH rechargeable type) power the transmitter for up to 8 hours and the receiver for up to 4.5 hours.

A battery count-up timer allows for accurate reading of battery running time to minute accuracy.

The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.

With the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe.

Cartridge-type battery cases allow for quick battery replacement on set.

If your camera doesn’t have a headphone jack, Phone mode lets you monitor your sound via the receiver’s headphone output while recording.

  • The RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.
  • Switchable Mic/Line input level, so you can set the correct gain level for your sound source.
  • Low-cut filter reduces noise caused by wind or machinery—Off / Low (100 Hz) / Mid (150 Hz) / High (200 Hz).
  • The receiver provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control.
  • Simple menus make navigation easy. Advanced menus for in-depth control are also available.
  • The variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button.
  • You can operate up to 16 mics per frequency band in one location.

With this set, you can add the UTX-M40 handheld wireless mic with a cardioid capsule, ideal in situations where you don't have time to position a lavalier mic or you need to quickly pass the mic between several people.

Adding the UTX-P40 plug-on transmitter with 48V phantom power allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews or a shotgun mic for wireless booming.

For clearer speech in noisy environments, you can substitute the included lav mic with an ECM-322BMP headset mic.

  • The transmitter can be used with WL-800 Series, UWP Series, or third-generation and fourth-generation UWP-D Series receivers.
  • The transmitter can be used with WL-800 Series, UWP Series, or third-generation and fourth-generation UWP-D Series transmitters.

Related Questions and Answers

Q: 1. Is this compatible with newer Canon hot shoe for mounting receiver directly to camera for digital audio transfer?

A: No, the Sony URX-P40 Camera-Mount Wireless Receiver included with the Sony UWP-D26 Camera-Mount Wireless Combo Microphone System is not compatible for digital connection to a Canon camera. It will only work in that manner with certain Sony cameras equipped with Sony's Multi Interface shoe. The URX-P40 receiver will connect to the microphone input on the Canon camera using a cable.

Q: 2. Can you use any XLR microphone - AKG, Sennheiser, Rode, Shure - with the plug-in transmitter, or does it have to be a Sony mic?

A: The Sony UTX-P40 Wireless Plug-On Transmitter included with the Sony UWP-D26 Camera-Mount Wireless Combo Microphone System can be used with just about any XLR microphone, whether it is a dynamic or condenser style mic, and regardless of the brand.

Q: 3. Does this receiver fit the F5 Documentary Dock?

A: Yes it matches the 15-pin Sub-D connector.

Q: 4. Is there a limitation on where in the country I can use this wireless set?

A: If referring to use within the United States, the Sony UWP-D26 Camera-Mount Wireless Combo Microphone System (UC25: 536 to 608 MHz) is able to be used throughout. The only limitations may come when attempting to use within privately owned locations, such as a sports venue with specific wireless permissions and coordination.

Q: 5. Is there a way to use this on an a7siii with the xlr-k3m adapter?

A: The receiver in this Sony wireless system will connect to the Sony XLR-K3M audio adapter, using the included 3.5mm to XLR-male output cable. This would be an excellent wireless audio solution for the Sony a7SIII camera.

Q: 6. Can both mics (a handheld and lav) be used at the same time?

A: No the Sony UWP-D26 Camera-Mount Wireless Combo Microphone System is a single channel combo system. You can only use one mic at a time. You would need to buy a dual channel system if you wanted to run 2 mic's with one receiver.

Q: 7. is there something on the device that would make it introduce hiss into the transmission? I recently bought one. Tested it with 2 identical senheiser boom mics requiring 48v phantom. One sounds great, the other has a major hiss. Tried it on several other mics (57s/58s) and nothing. The "bad" mic works 100% when wired.

A: 1. Make sure to scan for the best frequencies to use before every session. 2. Try lowering the gain

Q: 8. Does this work for both channels in a Sony X400 camera?

A: Hi Tom, Yes. Thanks, Erin

Q: 9. What alternatives do i have to power this unit when in a sound bag?

A: The Sony URX-S03D UWP-D Dual-Channel Slot-In Wireless Receiver requires 7V DC 200mA from a camcorder or wireless power adapter such as the Sony DWA-F01D Digital Wireless Adapter (B&H # SODWAF01D). For mixer-bag use with battery systems, centralized management for the DWA-F01D can be achieved using the Hirose 4-pin or BP jack. For AC powering, you can use an InfoLITHIUM battery charger as an AC adapter or use a conventional AC adapter with the BP jack.

Q: 10. will the URx P40 work with a UTX-P03 Transmitter?

A: Yes, the Sony URX-P40 Camera-Mount Wireless Receiver from the Sony UWP-D26 Camera-Mount Wireless Combo Microphone System is compatible for use with Sony UTX-P03 Plug-On Transmitters operating on the same frequency range.

29/09/2024

[0.24 to 0.35 ms] this microphone arrived well packaged and it performed admirably, excellent build quality and awesome sound, every videographer run and gun ENG need to have one!

5
26/09/2024

[Auto-Scan] Flawless performance, easy setup, Sony quality. The only downside is the lack of choices for lav and headset mics because of Sony's proprietary connector. Make sure you do your homework. Of course, there's always Countryman!

5
24/09/2024

[Omnidirectional] I use this mic pack for video interviews as an upgrade from Sony's URX-P03. Even though I don't even shoot on a Sony camera, this mic pack is easy to integrate and carries excellent, natural sound quality. This mic doesn't require a lot of post-production help, and I'm happy to include it with my gear.

5
21/09/2024

[-43 dB at 1 kHz] I've used this setup for several interviews now and the sound was clear for the entire interview. Just make sure you auto scan at every location before you use and it should work perfectly. I have two sets of these for small panel discussions.

5
17/09/2024

[0.24 to 0.35 ms] Very easy to sync. Super clean and deep voice producing.

5
17/09/2024

[-43 dB at 1 kHz] My sound guy bought the previous version of this wireless set and we've used it as a camera hop from mixer to camera for a couple years now. They're super convenient when I have to work one man band for any kind of interview or broll setup. Nice to have a cable free installation, though I do wish there were a way to mount it on the back of my FX9 rig. I'm 6'4 and with the FX9 on my shoulder and the wireless receiver on top, I've bumped a couple of doorways.
Works great on my FX9, FX3 and A7IV, plus you can use multiple receivers if you're in the same block, so multi cam setups fed from the audio mixer are easier.
Overall, if you use auto tune at every location (and it's super easy)) this is a pretty bulletproof system for camera people. Still have my lectrosonics in the bag just in case, but this set is now my go to system when showing up on set.

5
11/09/2024

[Analog UHF ] Works with all three of my Sony wireless TX units. It eliminates most mic bleed. and has really clear sound

5
09/08/2024

[Omnidirectional] I compared this with America's best Lectrosonics 's new device and the Sony device is as good as and the price is only 1/3 currently; more than fair.

5
01/08/2024

[40 Hz to 20 kHz] In my first review I said that only having a mono channel was a serious design flaw in this system. Unfortunately, I displayed my ignorance of professional audio.

Using my prior Sennheiser systems, I thought that my lav mic was stereo and that therefore I was getting a stereo signal.

I was wrong. It is a mono lav mic that Sennheiser converts to a left and right channel (or a single mono channel to sound like stereo) and then I hear stereo.

But this happens in the background so my lack of audio knowledge thought it was a stereo signal that I saw on my video editor and/or my DAW.

Sony does the same thing; it creates a single mono track for each of the two (or more) transmitters and leaves it up me as the user to determine how I want to change the signal to a left and right track.

I use Fairlight in DaVinci Resolve and there are three very easy and quick ways to convert the single mono channel to stereo or a L/R mono channel. If you don't know how to do this, check out many videos on YT.

Hope this helps someone. I pulled out a few hairs figuring this out with the help of the Pro Audio guys at B&H - super big shoutout to them!

As a result of my ignorance I've upgraded my review to 5 stars - and another 5 for the B&H Pro Audio guys

5
29/07/2024

[5 / 30 mW] Used this lav for the first time over the weekend in a noisy garage setting at a technical college. I purchased this specifically to cut down the echo problems in similar locations. Since this is a cardiod mike rather than an omni-directional mike that comes standard with the Sony UWP transmitters, it has a narrower pickup pattern than omni-directional mikes, so I was careful with placement on the on-camera talent. I double-miked the talent with a backup Lectrosonics tram mike to compare the response and noise . The Lectrosonics is a much older unit with an omni-directional tram mike so I expected more background room noise and echo. It also had less voice presence and more response in the lower frequencies than what I want with VO or talking heads. The ECM-X7BMP Electret Condenser lav had a more crisp presence in the upper voice frequencies which I prefer, so I'll purchase another and limit my use of the Lectrosonics in noisy environments. The pickup head is twice the diameter of the omni lav, so with the windscreen its more noticeable. I like the screw-in connection to the transmitter.

5

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