[FUJIFILM X] Beautiful image - more than impressed with how things turned out. Shot a 15-minute film with just this lens.

[Super35/APS-C] This lens gives the image quality I’ve been looking for in a package that has never been so easy to work with. The gears and focus thread allow me to pull focus while on gimbal and use light weight 77mm filters and diopters! I use this lens wide open all the time and love it! Give it a try!

[Yes] These lenses have a constant 1.5x squeeze factor, which gives consistent results across the entire focus range and makes for reliable de-squeezing in post. Other affordable Anamorphic lens brands do not have a constant squeeze factor. This lens is clean with minimal chromatic aberration only at the very lowest T-stop. It is incredibly lightweight which is useful in run and gun productions. I cant speak for the PL mount, as those may have a bit more heft to them. Flaring is very gentle on the silver version and slightly more aggressive on the blue and amber versions. You cant go wrong with this lens. See attached example.

[Super35/APS-C] Conversion with supplied EF mount was not too difficult. Fit is perfect. Love this affordable option for shooting anamorphic. Ordered the Laowa Venus 1.33x front anamorphic adapter to get a 2x squeeze out of it. Because of the availability delay on the adapter I can't report on the two together yet. But at a 1.5x squeeze I'm pretty impressed. Every review on youtube has been pretty spot on so no need to repeat it here.

[Super35/APS-C] Excellent value! Just make sure to buy a 82mm close-up vivitar lens set as well as it will make this lens a lot more useful and also mitigate some of its weaker points. Weight is great as well. Overall this is a very good mix of Anamorphic bliss for full frame sensors and image quality especially when you want flares a little more controlled. I'm using it with the Red V-Raptor VV.

[50mm] I am truly amazed by the images these lenses can produce for the price and size! If you are looking for lenses that don't look sterile and have some character to them without having to sell all your possessions to afford them, then these are absolutely the lenses for you!

[25.6 mm] Ive used the 27mm for a while and was convinced I needed something a bit closer for my kit. Great tool to have and compliments the the other lenses as well for both my Komodo and R5C! Very little distortion, barely any breathing and the silver flare is not obnoxious! Recommend these lenses as they are small and light and great intro to the bigger and beefier vintage anamoprhics.

[13] Great value for the price. The aesthetics of the images achieved are beautiful. It would be nice to have a detailed manufacturer's video of the mount change from PL to EF.

[55 mm] First off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.


Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).

I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the other person didn't study before buying), which for me, has all be quickly addressable in an editor with limited adjustments if I decided to correct it.


However, I have already had a few clients, including my own personal work, where the look and feel these lenses with the distortion they create is preferred, it added a feel to the image, it was the deciding factor to use these for the productions actually (feature films), it added a driving mood that complimented the narrative - so when I say they are a tool, I am simply saying - understand what your tools have to offer, and you will know if they are the right ones for the jobs, and in those cases, these lenses are phenomenal. They are a little too sharp for my typical feel, but I slapped a custom made filter in my matte box, and they have become the perfect look for my film making aesthetic.


Study these lenses on YouTube, understand their strengths and weaknesses, and make sure those strengths align with your objective - if they do, BUY THESE - I love mine.

[Super35/APS-C] image rendered so great. with Bmcc6k full frame camera has a bit vignette, but if scale up the clip like 1.1x in davinci resolve can get rid of vignette.and I can live with that. With sigma MC-21 adapter is enoght tight to not worry abot it.