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Laowa Nanomorph 50mm T2.4 Anamorphic Lens Sony E Blue Flare

Laowa Nanomorph 50mm T2.4 Anamorphic Lens Sony E Blue Flare
  • Product Code: eq99922
  • Availability: In Stock

$2,997.00 $4,585.41

This Laowa Nanomorph 50mm T2.4 Anamorphic Lens Sony E Blue Flarefrom Laowa Nanomorph 50mm T2.4 Anamorphic Lens Sony E Blue Flareis a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 50mm, a Sony E lens mount, an aperture range of T2.4 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

The prime lens has a very short minimum focus distance of 27.5" and offers anamorphic qualities such as high contrast, blue color lens flares, and a 42° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for an optional mount.

Compact Anamorphic Lens for S35 Sensors    T2.4 to T16 Aperture Range    1.5x Anamorphic Squeeze Ratio    Blue Color Anamorphic Lens Flare    58mm Front Diameter, 55mm Filter Thread    Short 27.5" Minimum Focus Distance    Interchangeable Sony E Mount    0.8 MOD Gears, Metric/Imperial Markings    13-Blade Iris, 42° Field of View

Key Specs
Focal Length50mm
Maximum ApertureT2.4
Lens MountSony E
Lens Format CoverageSuper35/APS-C
Filter Thread55 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.4
Minimum ApertureT16
Lens MountSony E
Interchangeable MountYes
Horizontal Squeeze (Anamorphic)1.5x
Lens Format CoverageSuper35/APS-C
Image Circle25.6 mm
Angle of ViewSuper 35
Diagonal: 42°
Focus ScalesImperial, Metric
Optical Design15 Elements in 13 Groups
Filter Thread55 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 27.6" / 70 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades13
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationNo
DiameterMaximum: 3.5" / 90 mm
Front: 2.3" / 58 mm
Length3.9" / 100 mm
WeightNot Specified by Manufacturer
Packaging Info
Package Weight1.59 lb
Box Dimensions (LxWxH)6.8 x 4.9 x 3.5"

A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.

Related Questions and Answers

Q: 1. How far past the PL bayonet does the rear end extend?

A: The lenses in the Venus Optics Laowa Nanomorph S35 Prime 3-Lens Bundle (ARRI PL & Canon EF, Silver Flare) will extend 1 - 1.2cm beyond the PL mount.

Q: 2. Weight?

A: The approximate weight of the Venus Optics Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens (FUJIFILM X, Silver Flare) is around .79 lb / 320g.

Q: 3. Does anyone know if using these lenses with an EF mount in conjunction with the EF to RF adapter on a Red Komodo would cause issues? Interested in using them that way because of the rear ND option.

A: The Venus Optics Laowa Nanomorph S35 Prime 3-Lens Bundle (ARRI PL & Canon EF, Silver Flare) will work fine with an EF to RF adapter when mounted to a Red Komodo camera.

Q: 4. What is the focus throw on these lenses compared to say, the dzo which has a very long focus throw?

A: All three lenses in the Venus Optics Laowa Nanomorph S35 Prime 3-Lens Bundle have a 110 degree Focus Throw.

Q: 5. Can I take photos with this lens on an A6600 camera?

A: The Venus Optics Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens is fully functional for cinematic and photographic needs. To produce a proper looking image you will need to de-squeeze the image in an image editor.

Q: 6. Would this be compatible with the Black Magic 4k equipped with a metabones XL speedbooster?

A: Yes, the Venus Optics Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens (PL/EF Mounts, Silver Flare) would work with the Metabones XL Speedbooster.. However, you will be limited to recording in 4k resolutions when using S35 lenses like the Venus Optics Laowa Nanomorph 35mm.

Q: 7. Would the EF version fit BMPCC 6K Pro without damaging the internal ND filters?

A: The Venus Optics Laowa Nanomorph S35 Prime 3-Lens Bundle (ARRI PL & Canon EF, Amber Flare) (B&H# VE273550PEFA), when fitted with the EF mount, will work with the Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) (B&H# BL6KPKCAMP).

Q: 8. Is it possible to mount a Canon Mount Adapter EF-EOS R 0.71x onto a Canon R5c, then mount these lenses with an EF mount to make these lenses full frame?

A: No, the Canon Mount Adapter EF-EOS R 0.71x (BH #CAMAEFRF71X • MFR #4757C001) is designed to adapt Full-Frame lenses to a Super 35 body. These are Super 35 lenses and the R5C is a Full-Frame body, so you're in the opposite situation. We would recommend buying Full-Frame lenses for the R5C.

Q: 9. EF version is $500 more than the other versions OR you could get an interchangeable bayonet for $100.Whats the difference?

A: With the extra cost, you get the high-precision (expensive) PL mount. If you are a user of PL, you understand the cost. Neither of the mounts are $100 adapters.

Q: 10. Is this compatible with the DJI Inspire 2 drone with Zenmuse X7 camera?

A: Yes, The Venus Optics Laowa Nanomorph 50mm with DJI DL mount will support the Zenmuse X7 camera on the Inspire 2 drone.

25/09/2024

[T2.4] Conversion with supplied EF mount was not too difficult. Fit is perfect. Love this affordable option for shooting anamorphic. Ordered the Laowa Venus 1.33x front anamorphic adapter to get a 2x squeeze out of it. Because of the availability delay on the adapter I can't report on the two together yet. But at a 1.5x squeeze I'm pretty impressed. Every review on youtube has been pretty spot on so no need to repeat it here.

5
22/09/2024

[1.59 lb] These lenses have a constant 1.5x squeeze factor, which gives consistent results across the entire focus range and makes for reliable de-squeezing in post. Other affordable Anamorphic lens brands do not have a constant squeeze factor. This lens is clean with minimal chromatic aberration only at the very lowest T-stop. It is incredibly lightweight which is useful in run and gun productions. I cant speak for the PL mount, as those may have a bit more heft to them. Flaring is very gentle on the silver version and slightly more aggressive on the blue and amber versions. You cant go wrong with this lens. See attached example.

5
18/08/2024

[T2.4] First off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.


Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).

I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the other person didn't study before buying), which for me, has all be quickly addressable in an editor with limited adjustments if I decided to correct it.


However, I have already had a few clients, including my own personal work, where the look and feel these lenses with the distortion they create is preferred, it added a feel to the image, it was the deciding factor to use these for the productions actually (feature films), it added a driving mood that complimented the narrative - so when I say they are a tool, I am simply saying - understand what your tools have to offer, and you will know if they are the right ones for the jobs, and in those cases, these lenses are phenomenal. They are a little too sharp for my typical feel, but I slapped a custom made filter in my matte box, and they have become the perfect look for my film making aesthetic.


Study these lenses on YouTube, understand their strengths and weaknesses, and make sure those strengths align with your objective - if they do, BUY THESE - I love mine.

5
28/06/2024

[1.59 lb] image rendered so great. with Bmcc6k full frame camera has a bit vignette, but if scale up the clip like 1.1x in davinci resolve can get rid of vignette.and I can live with that. With sigma MC-21 adapter is enoght tight to not worry abot it.

5
25/06/2024

[T2.4] Ive used the 27mm for a while and was convinced I needed something a bit closer for my kit. Great tool to have and compliments the the other lenses as well for both my Komodo and R5C! Very little distortion, barely any breathing and the silver flare is not obnoxious! Recommend these lenses as they are small and light and great intro to the bigger and beefier vintage anamoprhics.

5
03/06/2024

[Sony E] Great value for the price. The aesthetics of the images achieved are beautiful. It would be nice to have a detailed manufacturer's video of the mount change from PL to EF.

5
21/04/2024

[Sony E] I am truly amazed by the images these lenses can produce for the price and size! If you are looking for lenses that don't look sterile and have some character to them without having to sell all your possessions to afford them, then these are absolutely the lenses for you!

5
30/11/-0001

[Yes] Excellent value! Just make sure to buy a 82mm close-up vivitar lens set as well as it will make this lens a lot more useful and also mitigate some of its weaker points. Weight is great as well. Overall this is a very good mix of Anamorphic bliss for full frame sensors and image quality especially when you want flares a little more controlled. I'm using it with the Red V-Raptor VV.

5

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