120 Format Film

[110.0 µm] My favorite film for both 120 and 35mm format.

[3-Hole Punch] This format for 120 film is perfect. The vertical sleeve makes it harder for my negatives to slip out.

[3 x 1.3 x 1.3"] I was reluctant to try this film knowing Lomography usually has strange colors and lens effects. after trying it in 120 format and developing myself I was so impressed by how neutral and normal the colors were. reminds me of a subdued Ektar, I have a feeling this is the most inexpensive color film also. definitely give it a try.

[0.65 lb] I only have experience with XP2 Super in 120 format and it is easily one of my favorite B&W films. I shot a roll in my Yashica A TLR and the results were impressive. It is sharp. The grain is inconspicuous in most situations. The film has enough contrast even for me. Great film for landscapes and cityscapes.

[120] Love this film in 120 format great colors well balanced! No problems, a great color film both indoors and out!!!!

[Yes] Very good for me. I bought it as a refresher for me as I am now back into medium format (6x9) 120 film after a 20 year absence.

[400] Just got a few rolls (120 format) of this new-to-me film. I shot it in a vintage Ansco Titan 6x6 camera (1948). Developed it in Rodinal 1:50 for the recommended 22 minutes at 20C. Excellent tonal range and reasonable grain (especially considering the Rodinal development). Seems to fulfill the manufacturers claims for the dual emulsion. Nice clear base made scanning easy. I suspect I may get better results exposing for ISO 200 rather than 400. Am planning to try this next time around. Very pleased and ready to get some more!

[Color Negative] Just got a medium format 120 film camera and needed film to try it out! Super excited to see how this works, and it was such an affordable price! Best price I've seen across many different sellers

[Acetate] This film is rewound 120 film. That means it's the same film physically as the 120 film you'd use in a Mamiya 645 / 67, Pentax 645 / 67, etc., but the spool is different. My Tri-X 400 came pre-wound to resemble a 120 spool, and in a nice little black canister. I get 8 shots of 6x9 medium format prints per roll from this film. This film works in the Kodak Medalist and Medalist II and any 620 camera... but be advised, 620 film has to be ABSOLUTELY perfectly wound in order to work in the Medalist and Medalist II as these are precision cameras. Thankfully, the 2 rolls of Tri-X 400 were close enough to fit in the feed side, but the plastic reel makes it hard to take out once the take up reel is completely fed. I had to use a spare reel as a lever to fish out the film. The film scans OK, it's grainy (it's Tri-X and not T-Max), but it's not as grainy in medium format as it is in 35mm. I find that I enjoy shooting it most using a yellow or dark yellow filter and having to eat 1 to 1 1/2 stops. It has incredible latitude, only underexposing when I was off by 2 stops, but never failing to let me down if I overexpose. If you have a brownie, tourist, vigilant, or a Medalist, this is your B&W film to make sure the camera works. It's forgiving, and in medium format, a bit sharper than you remember in 35mm.

[E-6] I can´t wait till the Ektachrome 120 format comes back to the market!