6 Channel Car Stereo Receiver

[> 70 dB ] The best stereo receiver I’ve ever owned! If you want the best, this is it!

[8 Ohms] These speakers are great for the new stereo receiver. the whole thing was easy to set up. The sound is terrific.

[>-86 dB] This receiver has revitalized my 1980s stereo system by allowing Bluetooth transfer from my Sony Walkman (CD quality) and from an iPhone. When powered the receiver goes into pairing mode--your device remembers this receiver...you are connected. So far there has been no problem with connection or distance from the receiver. As this is my second unit (first attached to another stereo system) I only wish I could rename the unit as it comes up with the same name...only to be identified by the Bluetooth address. If you only have one of these, this will not be an issue. Attachment is simple: connect using RCA supplied cord to your receiver aux input. Having it on a switched plug on the receiver is very convenient. If not, you would have to push the light button to switch it into on mode. It has an auto off after a few minutes of not receiving a signal. It also has an optical connection.

[1.4 lb] I am delighted with my purchase of the Rolls HA43 - 4 Channel Stereo Headphone Amplifier. It is perfect for my application of connecting multiple numbers of stereo headphones to my Shure SCM268 microphone mixer by using its unbalanced RCA aux level output with an RCA Y-adapter 3-foot splitter cable. The cable I use has 1 RCA Male connector that splits to 2 RCA Male connectors and produces equal levels of audio in both channels for each headphone connected to the amplifier. This setup allows my students to monitor the audio being picked up by a variety of microphones and sent to a DSLR camera that records the video for student productions. Its electronics are quiet and provides a clear signal that enables listeners to detect hiss and interference problems during recording sessions. The Rolls HA43 is a handy and versatile little piece of equipment in monitoring audio.

[50.05 lb] I Had Other Branded Mixers the , Yamaha MG10XU 10 Channel Stereo USB Mixer and the Pioneer DJ DJM-250MK2 , This Beats All Of Them by far more The Rane Seventy Gives you a complete of dj tools you can work with and Never Miss a beat the sound quality is just amazingly sound proof I'm expecting to buy the turntable pads soon so I can mix and match my studio library thank you B & H You Guys Are The Best Richard S

[30 W] Overall, excellent. I only wish they offered a model with five channels, mini stereo jacks on all inputs, and have one channel with built in audio isolation transformer. Obviously, that would cost more, but then it would go from a great mixer to a perfect one.

[Class-D] I've been pleased with previous Pyle products purchased from B&H and the Pyle Pro 4-Channel Compact Stereo Amplifier lives up to that reputation. I enjoy its features and performance as well as its excellent value. Certainly there are competitive products which, when tested, may exceed it but for this retiree it fits in my budget and performs well.

[0.25 lb] It's the perfect length of cable for on camera stereo mic like the BP4029. Red is the Right channel. The right angle connectors work perfect for my setup. No complaints at all. Just exactly what I was looking for. Keeps my rig tidy!

[27 lb] Matches with my Marantz Sr5015 perfectly. Can notice a difference with 2 channel stereo music. Super fast cross country shipping. Thanks B&H

[2772] In my first review I said that only having a mono channel was a serious design flaw in this system. Unfortunately, I displayed my ignorance of professional audio. Using my prior Sennheiser systems, I thought that my lav mic was stereo and that therefore I was getting a stereo signal. I was wrong. It is a mono lav mic that Sennheiser converts to a left and right channel (or a single mono channel to sound like stereo) and then I hear stereo. But this happens in the background so my lack of audio knowledge thought it was a stereo signal that I saw on my video editor and/or my DAW. Sony does the same thing; it creates a single mono track for each of the two (or more) transmitters and leaves it up me as the user to determine how I want to change the signal to a left and right track. I use Fairlight in DaVinci Resolve and there are three very easy and quick ways to convert the single mono channel to stereo or a L/R mono channel. If you don't know how to do this, check out many videos on YT. Hope this helps someone. I pulled out a few hairs figuring this out with the help of the Pro Audio guys at B&H - super big shoutout to them! As a result of my ignorance I've upgraded my review to 5 stars - and another 5 for the B&H Pro Audio guys