Analog Delay Pedal

[1.3 lb] This is the best delay / slap-back echo / mod machine I've ever heard. There are versatile sounds for every need, with responsive controls to dial in the perfect effect. Plus, the secret secondary controls make this even more customizable. The looper is lots of fun, though might be a little difficult to pull off live onstage. Basically, if you're looking for a versatile delay, with some added modular swirly/shimmery sounds and a looper thrown in for good measure, stop reading this and buy this pedal. Just be prepared to sit in front your amp and enjoy exploring the sounds this pedal provides, for hours! Highly recommended!

[Passive] The FreqOut is an exciting PERFECT feedbacker FINALLY on the market after years of others that laughably sound like a BAD synth pedal. Truly flexable, offering the variety of feedback effects, pitches, levels, attacks anyone could want. It's as if there's a piece of the late Mr. Hendrix inside the box! Now go learn to play like him to do this pedal justice! As far as the release of this pedal, it was MOST disappointlingly delayed (I ordered it last year) and it didn't arrive until many months later. Digitech (or whoever bungled the launch) goofed by not telling sellers what to say to customers. My only complaint is the I DON'T KNOW reply to every call over the last few months. and the sad emails from the dealer with no explanation, just notices of more delay (and disappointment). After all the frustration, I FINALLY received a very nice pedal that truly emulates feedback! Note: the customer service reps I spoke with were as frustrated as I was about it, and being kind and clear about I DON't KNOW' being their only possible answer, I can not fault them for anything. THIS problem was obviously mistakes made higher up. Perhaps they will get their act together enough to prove to customer they should come back for a FAST and satisfying deal, not just one that depends on a good product to cover for logistical incompetence. The customer never cares whether the delay is in manufacture, shipping, or any other reason--the customer just wants it within a week or so after ordering (during the initial enthusiasm)--after that wears off, then it's B&H in this case that looks bad, no matter how good the customer service reps handle it..

This is the best delay / slap-back echo / mod machine I've ever heard. There are versatile sounds for every need, with responsive controls to dial in the perfect effect. Plus, the secret secondary controls make this even more customizable. The looper is lots of fun, though might be a little difficult to pull off live onstage. Basically, if you're looking for a versatile delay, with some added modular swirly/shimmery sounds and a looper thrown in for good measure, stop reading this and buy this pedal. Just be prepared to sit in front your amp and enjoy exploring the sounds this pedal provides, for hours! Highly recommended!

[Optical] Almost 0 delay

[Metal] Great pedal.

Great pedal.

[9 to 12 VDC] The Korg Monotron Delay is a very immediate and fun sound design machine and processor. What's especially unique about it is that the filter comes after the delay. You can process incoming audio or the oscillator and control the tone of the repeats with the onboard filter, which is taken from the MS20 synth and is a personal favorite of mine. There is no resonance control to the filter but it's set at a very tasty level. This makes for a very creative sonic landscape. The internal oscillator is a saw waveform and can be modulated with either a triangle or a square LFO. Matched with the delay, this delivers some very spacey and interesting sounds. I would say the Monotron Delay is best suited for external processing and making samples. The ribbon controller doesn't offer any precise control and to get a precise pitch is pretty difficult. The ribbon controller offers continuous control of pitch, so sweeps are possible by running your finger up or down the ribbon. I used mine to make a sample library, incorporating the delay in my sound design as the layering of repeats with the filter and the modulation of the LFO makes for some pretty large sounds. I really like how fast the LFO goes. It goes into the audio range for analog-FM style tones. The real magic of this synth comes with the automation of the parameters, delivering hands on motion to otherwise static sounds. A vast array of sonic textures can VERY easily be coaxed out of this with little prior experience. The Monotron Delay delivers wild sonic textures that are at home in any electronic music track looking for something to give it some grimy analog grit.

No delay or signal degradation.

[Copper] No delay or signal degradation.

[50x Sheet Paper] This is a very good glossy paper, and, as always, B&H has what I need and gets it to me without delay.