Anker 3.5 Mm Audio Cable With Lightning Connector

[12" / 30.5 cm] The 3.5mm locking connector fits well with RodeLink.

[0.1 lb] These cables are high quality if you don’t know or want to make one yourself. I will say that the right angle 3.5mm cable connector used is a tiny bit bigger and when slipping the locking clamps in, I have to use more force to have it placed properly. Not a big deal.

[940 nm] I am a professional AV designer, technician, & Installer for 48-yrs, I have used these for years but not this exact item, I tried this for the first time in a three projector installation at a church, & it worked perfect. The (2) projectors was 65' from the AV room, (1) projector was 35' from the AV room, I did have to cut off the 3.5mm connector about 2' from the connector & installed it at the AV room, I spliced the IR onto this added 65' 22ga/2c/shield cable & spliced the 3.5mm cable in the AV room. I solder both ends for best connections. This unit works great, I will buy more in near future....Great item at a great price...

[0.15 lb] Used for a remote Mic. There is not much to say about this item its a cable to convert 3.5mm connector to a XLR connector. One Think I do like is that it locks on the 3.5mm side. Nothing bad to say about tis.

[Low Cut/HPF] It's a different concept as it requires no batteries, it's powered from the camera. Why is this important. Well, for me two reasons, the first being you cannot screw-up and forget to turn it on, its on when mounted on the camera. The second reason, if this is an occasional use mic batteries are a pain, you find yourself thinking, are they fresh, maybe they're dead or will they last the recording session? No issues with this mic, if your camera's rolling then the mic is working - as it should be. It may not be the best mic you can buy, but (and its a big but) if you attach this mic to your SONY you will get very decent audio most every time, it's pretty much immune to pilot error and therefore it has its proper place in my kit (as does the auto exposure setting on my mode dial). Size-wise, it's tiny. You could leave it in your pocket for those just-in-case moments. As with all these on-camera mics (or on-camera flash) I'd say being within 6-10 feet is the optimal working distance. My only complaint, even when mounted on a SONY smart-shoe equipped camera you still have to plug-in the 3.5mm cable to access the manual audio levels feature on the camera. Without the 3.5mm cable this mic is in full-auto mode, but it does appear to do a very good job is noisy environments! So to sum it up, if I were to take one mic out on a road-trip, I'd take this one, it'll just work. Fancy mics are obviously better, but how many times have you heard a video guy say, well the audio isn't too good in the clip, I didn't have the levels set properly -- no issues here (without the 3.5mm cable), you'll be in full auto and in the ball park. KISS!

[Yes] Works great--this cable allows you to convert a male 1/4 stereo jack to a 3.5 mm--I use it to go from an audio mixer to a computer input.

[End Address] The MVP-6 is a good first and affordable shotgun mic: it has a switch to select usage with a camera (TRRS) or a smarphone 3.5 mm jack (TRS) without requiring an adapter, battery or phantom power. Its cable is non-detachable, coiled and its length is perfect.  It is meant to capture audio from its source with a focused narrower perception during the recording the way we hear selectively when we focus our attention.  So far, I used it indoors for an interview with a camera positioned 3 ft away in a quite room, then with music playing at close proximity and finally outdoors while filming sport car with an 85 mm lens, so quite away from the subject at a marina with surrounding noises. During each recording, I pointed the shotgun mic straight at the audio source, rotated 90° and then all the way at 180° to test the off-axis rejection. I compared the audio by playing it back with quality headphones from the shotgun mic and the on-board SONY A6400 omni directional mics in all three scenarios. I found the self-noise to be similar between the MVP-6 and the camera while listening at 75% playback volume. However, on-axis, the audio pleasantly more focused when using the shotgun mic. If you can be close to the source (on-camera using the cold shoe while filming with a wide angle lens or using a boom pole using its 1/4”-20 threaded hole and 3.5 mm cable extension plugged into an audio recorder) and orientate it properly, this shotgun will definitely improve the audio quality. It adds clarity and some perceptible loudness to the production.  The advantage in using a shotgun mic such as this one is also to allow keeping the audio gain low(er). This is desirable because the camera’s built-in pre-amps are rarely very good. It is best to keep the gain as low as reasonable to reduce the self-noise. As for the sound characteristics: it is a little on the bright side and it reminded me of  Sennheiser.  [I have received this product in exchange for my honest review]

[Black] I was looking for a way to bring external audio into my iPad without resorting to an external audio interface. I found that some simple apps, for example the iPad's built-in video camera, don't always recognize pro audio interfaces even if designed for iOS devices. Since this cable just utilizes the ubiquitous mic input on the iPad, it works perfectly. You can run your mixing board output(s) straight into this. It has the internal circuitry needed to do the line-to-mic conversion and (if needed) summing, and other protections. Of course you get mono into your device whether one or both XLRs are connected. It was well worth it to me to not have to figure out the proper circuit and then kludge solder something up on my own. For being molded it is well constructed. I suggest being careful with the 3.5mm end and not stress it or your iPad/Phone jack by dangling this adapter with heavy XLR connectors from your iPad/Phone. Use a lighter-weight 3.5mm extension cable at the iPad first or otherwise strain relief the 3.5mm at the iPad/Phone some way.

[USB-C Male] Works well with iPhone 13 pro you muse update the firmware on the mic using the rode application on your windows or mac otherwise the mic will show message when connecting to your iPhone there is not enough power to use the mic Benefits of using the cable instead of the 3.5mm cable: 1.you can use dual channels (safety track with lower gain) 2.you can use 24bit audio 3.you will be able to use the 3.5mm jack for audio monitoring and playback using your head phone

[9 x 8.8 x 2.3"] The cable sets down the gain from a mic or mixer to a DSLR 3.5mm audio input. Finally the audio in the captured file is useful without having to use double system sounds files and resyncing in post.