Arri Cine 60 35Mm Film Camera

[IPS-Type LCD] I bought this for my RED V-Raptor. Why didn't I just get the RED monitor? They are basically the same price! Let me explain... The RED monitor is fantastic. One cable, attaches directly to the camera, user buttons, well built, and only slightly more expensive. BUT... I can only use the RED monitor version of the Cine 7 on a RED camera. And if you think I am going to spend 3K on a monitor that I can only use on one camera, you have another thing coming. With this monitor, yes, I need two cables instead of one. That is where the shortcomings stop. The Cine 7: 1. Can use on any camera. Any camera! 2. Still have complete camera control. 3. 500 more nits of brightness. Yes, 500! And it does make a difference. 4. A little bit cheaper. 5. Want Arri camera control? Yep, for $500 you have Arri camera control too. 6. With the RED monitor on an Arri camera you would have a paperweight. You get a better monitor that you can use on any camera. I attach the monitor directly to the RED top handle using the SmallRig Swivel and Tilt Monitor Mount with ARRI-Style Accessory Mount. Perfect.

[6.43 lb] Anyone who uses a lot of cine glass knows that the 18-35mm Sigma Cine is legendary for into film makers. Please ignore the other 2 star review as this person clearly doesn't understand the value of lenses. The lack of LDS makes this lens actually "affordable", and speaking of which, is considered CHEAP for the quality of the optics and build. A lot of people are ordering entire era of primes and zooms for RED cameras (ourselves included) for a reason. Sigma Cine lenses are arguably the best value for the superb quality in the industry right now.

[5] Classic 35mm film

[15 mm] I use it with mine ARRI Cine Plate for Canon C300 Mark II .

[US Plug] Great battery and I'am using it with an Arriflex 35BL2 35mm film camera.

[1x] I use this with a Sony camera to scan 35mm film. It's flawless. I combine with the Essential Film Holder and it works very well.

[4.35 lb] This is the goat when it comes to 35mm film camera. I 'm glad Leica is still making it. Love it!

[Luster] Awesome color film in both 35mm and 120!

[2] Bought this adapter on a hunch that I would possibly be able to power my Arri SR2 with it. After testing it on 3 days and a few hundred feet of film later I’m confident to say that it is a viable solution to use modern cinema batteries with my older film body. I go straight dtap out of the brick into the camera. The xlr is a little long coming out of the camera but my vlock plate tilts so it works, just something to consider. I will still be buying a proper integrated converter but this works as a temporary work around.

[15.5 to 47mm] I had the original set of these cine lenses...then cometed my set with this 35mm. What a fantastic lens. The quality and build is superb. I picked these over the Ziess set...and I'll never look back!