Behringer Stage Monitors

[16 AWG] I use it to connect a Nord Stage 3 to a stereo direct box (which feeds into two channels on a Behringer X32. It's a good length at 20', and the quality of the cable and 1/4 connectors is great! Works perfect and sounds great!

[On/Off] I used it recently with a Behringer MIC2200 and QX1832USB at a live stage performance at my church. The mic was used by both male and female vocalists for singing and speech. I'm extremenly happy with the performance and ease of setup.

[10GbE] Using this to connect two Behringer S16 digital stage boxes to an X32 mixer. Ver easy to connect, wrap and store, and the metal housing on each end is very sturdy.

[2x 1/4" TS] We bought these to use as stage monitors and the sound is amazing...very worth the money.

[Stereo Pair] I own other Behringer equipment and the MS 16 monitors have met all my expectations for quality, ease of use, and sound. The sound is clear and its excellent when you plug in headphones. You can't expect deep base with monitors this small but they're great for use with my desktop computer.

[Black] Snagged two of these to use for stage monitors and be able to place them everywhere and anywhere. Work perfectly! Great quality build.

[2.2 kHz] This is the third one I have purchased. THey are reliable, sound great, flexible, and have many options similar products do not. I use them in my church for stage monitors and piano monitors. THey fill in the sound perfectly without taking up floor space and without blasting because they are close to you. THe volume is fully adjustable from stage, so no worries about the sound man giving you problems. I love them.

[Black] I needed great vocal monitors that covered a lot of width for our stage. 2 of these cover about 15 feet wide nicely - with great sound!

[Plywood] I've had a pair of these for a few years now. They work very well as stage monitors. I use mine primarily as a monitor for my keyboards when performing. There is a multi-position switch that changes the EQ depending on the listening mode, but I usually leave it in Stage Monitor mode. Inputs are combination XLR / 1/4 TRS jacks. However, the daisy-chain connection to another monitor is XLR only - not 1/4 TRS, which is a pain in the neck sometimes. And the volume setting on the first monitor determines the maximum volume setting on any daisy-chained monitors. Overall, a very rugged monitor that has been dropped a few times and taken its share of abuse, but has never failed me. And it's a lot smaller and lighter than comparable stage wedges. To make sure I never lose the power cord, I have caribiners on the handle and the AC cord that I just snap together when transporting it. B&H occasionally has sales on these and also bundles (stand and XLR cable) - jump on those sales when available!

We were looking for a splitter to use on stage so we could run our own monitors and give the house a clean feed. 24 channel splitters cost a lot more than we were willing to pay at the time. A sound guy we worked with suggested getting 3 of these instead of a single 24 for a fraction of the cost. We did and the rest is history. We have tested these extensively while practicing and have used both the directs and the transformer feeds for our sound. We play loud country & rock and we couldn't tell the difference between the outputs. We've only played out with the new set up a couple of times, but so far it is everything we hoped for at a great price. We couldn't be happier.