Best Camera For Youtube Dslr Vs Mirrorless

[JPEG, Raw] I love it so far, its looks, its function and its quality! This is my first mirrorless camera and I have already shot three videos for YouTube. It is doing everything I had hoped for and with the clarity and smoothness of the images and movies. I am an old school type and truly appreciate the retro styling, which makes it easy to use. So five stars from me.

In the pursuit of the perfect camera for Vlogging, I ve bought action, pocket , DSLR , Mirrorless APS-C cameras. However, all have something that is not to my liking. This Sony ZV-1 is not so different. But a few issue such as battery life and not so wide angel lens, I have bought extra batteries and an extension for the grip to fix the issues.

[0.55 lb] We typically travel with a DSLR, a mirrorless 4K video camera, and one or two snapshot-type fixed lens cameras. Naturally, all take different batteries. With the Watson system (and it is a system) we only need one charger body (multi-voltage for international travel) and a small, thin adapter plate for each battery. Really cuts down on what you need to carry.

[0.105 lb] I’ve been a Nikon shooter since 2004 and I’ve worked in the photography industry since 04’ when I switched to Nikon. I love the D850 I’ve never owned a camera that I could say that about. It’s robust, easy to manipulate controls on the fly and produces beautiful crisp photos. I am able to capture images out the gate that require minimal if not zero post corrections. If you are on the fence about this camera and are considering going mirrorless but have an ecosystem of lenses for DSLR go with this camera! The technology has been tested and built upon 20 years of improvements, there is a larger selection of glass and accessories. Let this be your last DSLR and in a couple of years as mirrorless improve and larger lens/accessories options become available you’ll be set to make the transition.

[0.7 lb] This hardware is just what I needed to attach my DSLR camera body to my dual SpiderPro system for mirrorless (I have one of each).

[Yes] I changed my camera from Canon DSLR to Sony mirrorless. I also considered FSB4 to be lighter than the FSB8 fluid head that I was using, but I found this ACE-XL head and purchased it. I am trying to reduce the weight by attaching this head to a Gitzo type 3 tripod. This is 1kg lighter than the FSB8, yet the payload is 8kg. Even with the combination of 600mm F4 + A9, it still works with a great balance.

[Universal] Nice bag for to carry a small DSLR or mirrorless Camera + 2 lenses with enough space for personal items. The price is unfortunately a bit hefty...

[End Address] This is a little shotgun mic specifically designed or mirrorless or DSLR video shoots. It's easy to set up and has a low profile. Insert the batteries and you're ready to go. One of the best features is that it turns on when you turn on the camera, or in my case, my little camera-mounted mixer, then shuts off when the camera is off. Sound is clean and clear if you're in a good range from your subject. The added fuzzy wind screen is a bonus!

[Cardioid] My camera is a Sony Alpha II, which is a very good mirrorless dslr, that takes movies as well. Of course the built in mic is minimal. I tried it out for real at a house concert, with serious audio equipment, and an audience of about 50. The two mics were both pointed at the artist, so it was not really sterio. The sound quality was quite presentable on the external stereo speakers driven from my laptop. My intention is iTunes and Facebook use, not making studio quality audio so it clearly does the job for me.

[5.4 oz (153 g)] I normally don’t make reviews, but I thought someone should come in and defend the honor of this gadget after a couple less-than-stellar reviews. For a DSLR/Mirrorless shooter, this thing is a must-have. It’s just a supremely handy thing to have in your bag when you need it. When I’m shooting for the big screen, or need isolated audio tracks or phantom power, I’ll pull out my MixPre. But for simple web videos when that’s overkill (whether interview or run-n-gun b-roll), this thing’s great when you want to get 2 audio sources into the 3.5mm input on your camera. Obviously, there’s no pre-amps or phantom power, so I tend to only use with sources that have their own built-in preamps (like wireless mic receivers or a Røde videomic pro). I can lav up two subjects with my Sennheiser wireless mics and record each subject to a separate channel on my camera (on on the left, one on the right), which is amazing flexibility to have. Or I can run a wireless lav into one channel and my Røde Videomic Pro into the other and have that great lav/shotgun flexibility. All in all, can’t say enough good things about this device. Dollar-for-dollar, no device expands the audio capabilities of a DSLR/Mirrorless camera like this thing does. Just make sure you set your expectations right. And that means plugging in devices that boost their own signal.