Best Lenses For Sony A6700

[ARRI PL] I've used this lens for video and stills for the Sony A6700. Autofocus works well and very sticky just like my other Sony lenses. The 1.2 aperture is great to have. 27mm is ideal for me as I'm always wanting my 35 mm lenses to be a little wider. Very impressed with Viltrox - crazy good value.

[0.1x] Tack sharp on my Sony A6700 and $200 less than comparable lens. What’s not to like.

[0.065 lb] Provides an excellent video quality for YouTube videos with a Sony a6700

[15.6 x 11 x 9"] Sony body attached, two extra lenses, still room for iPad and sunglasses. Best of all my girlfriend thinks it's sexy. Put the 720 insert in it.. perfect!

[1x Cold Shoe] Amazing cage for the Sony a6700. Anyone who knows better knows to immediately purchase a cage for their camera. Comes with many mounts to attach hand grips, monitors and sorts.

[Full-Frame] I bought this for my Sony a6700 (aps-c) camera to get a 30mm FF FOV for street photography. In this regard, it is excellent. The lens is small, light and inconspicuous. Moreover, the corner sharpness is reasonably good on an APSC sensor compared to a full-frame sensor. Regardless, for this price it is riddiculously good. [As an aside, I own the excellent Sony 20mm 1.8 G and the Viltrox is slightly softer in the center, and especially so in the corners on an A7RV. That is an unfair comparison, however, given the Sony costs 5 times more.]

[SDXC] I bought this card along with my Sony a6700. So far, I have done a lot of high-speed continuous shooting in RAW and 4K video, and this card can keep up with everything I throw at it! Great if you just need something to get started.

[0.04 lb] Discovered to my surprise one afternoon, when I saw it laying on the floor, that the eyecup to my A6700 was removable. I picked it up and slid it back into place, surprised at how easily the eyecup could be slipped on and off of the eyepiece. I should have secured it with a drop of Loc-tite, but I didn't. One day, a couple of months later, after out in the field, I got home and discovered the eyecup to my A6700 was nowhere to be found. This replacement, I am happy to say, is a much better quality than the original. Although it looks the same, it snapped into place with an almost spring-like quality, something the first eyecup did not do. There was no wiggle once in place, and a gentle tug would not budge it. But I have a question that I hope some manufacturer, be it Sony, Small Rig, Falcam, or other, takes up the challenge to produce. If the eyecup on an A6700 is removable and replaceable, then why oh why can't somebody -- anybody -- make an eyecup of at least twice to four times the size of this one (squishy sides would be nice, too) so you can place your eye up to the occular and block out the light without having to cup your hand around your eye? Come on someone, please manufacture some eyepiece options out there for what is probably the most popular Sony APSC right now. None-the-less, this eyepiece is of superior quality to the original and I'm happy to have been able to obtain the replacement.

[11] The E-mount Viltrox 75 -f/1.2 works perfectly on the a6700. As noted in virtually every review it's sharp even wide open, has excellent contrast, sweet portrait perfect bokah and exceptional low-light performance. Its combination of very fast aperture and short-tele (112.5 mm FF Eqv.) focal length is unique and it's price point is 1/3rd of what a comparable lens from Sony might cost. As you might expect, it's a little front heavy on a light body like the a6700, but it's easy to quickly adjust to the front balance. It's obviously ideal for portraits, and I'm also finding that the 112.5 mm equivalent focal length is usable for most street photography. At distances of 8 to 10 feet the massive front element is not too subject intimidating and the super-precise a6700 auto focus results in sharp eyes even with the very thin 0.85 inch depth of focus (at 5 ft distance and f/1.2). At 10 ft and f/2.0 the plane of sharp focus is more forgiving at about 5 inches so makes for easy, quick AF candid shots. Sharpness and contrast exceeds my classic (much more costly) Sony-adapted Canon 50 mm f/0.95 manual-focus full-frame lens. Bottom line: This lens is unique and is an extremely useful creative tool for Sony APS format camera users as long as you understand the capabilities and limits of large aperture photography.

[APS-C] I paired this Sigma 18-50mm Lens with my new Sony a6700 camera. I was able to take close up and medium photos perfectly. This worked great for city landscapes and ancient ruins in Greece. I would have liked for a little more range, but I guess a zoom lens will be needed for that. I could not take great photos of far away objects like mountain tops.