Bluetooth Audio Transmitter Receiver 3.5 Mm

[8' / 2.4 m] I plug the 3.5mm mini-jack end into my dual wireless lav receiver. I plug the two XLRs into my audio recorder. The stereo signal from the lav receiver splits into Left on one XLR and Right on the other XLR, leaving me with two Mono tracks on the audio recorder. Exactly what I need.

[Zipper] Sescom LN2MIC-ZOOMH6 3.5mm. Audio never had it so good!

[±3%] This device turns any 3.5mm stereo into a Bluetooth source. Pairing this device with my Pixel Buds was painless. I bought two on these, one paired to my Buds, one paired to my wife's Buds.

[CT7302] Highly versatile and compact Bluetooth Receiver/Transmitter with built-in DAC. It has separate optical input and outputs and a dual-use coax line. The Bluetooth connectivity is solid but it might take a few tries with older Bluetooth equipment. Once you're connected, it stays connected. Highly recommended!

[20 Hz - 20kHz] I use the Aluratek ABC02F Universal Bluetooth Audio Receiver and Transmitter connected to the Optical Audio output on my Sony TV. It pairs with a set of Sony Bluetooth earbuds to provide a separate channel for audio for my aging ears while the TV's audio continues to function independently for the rest of the family. The optical connection to the TV was simple and the ABC02F paired quickly and easily to the Sony Earbuds. The ABC02F is plugged into a USB port on the TV and is always on so the earbuds are reconnected within the time it takes to remove them from their charger/case and insert them into the ear.

[Low Cut/HPF] It's a different concept as it requires no batteries, it's powered from the camera. Why is this important. Well, for me two reasons, the first being you cannot screw-up and forget to turn it on, its on when mounted on the camera. The second reason, if this is an occasional use mic batteries are a pain, you find yourself thinking, are they fresh, maybe they're dead or will they last the recording session? No issues with this mic, if your camera's rolling then the mic is working - as it should be. It may not be the best mic you can buy, but (and its a big but) if you attach this mic to your SONY you will get very decent audio most every time, it's pretty much immune to pilot error and therefore it has its proper place in my kit (as does the auto exposure setting on my mode dial). Size-wise, it's tiny. You could leave it in your pocket for those just-in-case moments. As with all these on-camera mics (or on-camera flash) I'd say being within 6-10 feet is the optimal working distance. My only complaint, even when mounted on a SONY smart-shoe equipped camera you still have to plug-in the 3.5mm cable to access the manual audio levels feature on the camera. Without the 3.5mm cable this mic is in full-auto mode, but it does appear to do a very good job is noisy environments! So to sum it up, if I were to take one mic out on a road-trip, I'd take this one, it'll just work. Fancy mics are obviously better, but how many times have you heard a video guy say, well the audio isn't too good in the clip, I didn't have the levels set properly -- no issues here (without the 3.5mm cable), you'll be in full auto and in the ball park. KISS!

[Yes] Works great--this cable allows you to convert a male 1/4 stereo jack to a 3.5 mm--I use it to go from an audio mixer to a computer input.

[End Address] The MVP-6 is a good first and affordable shotgun mic: it has a switch to select usage with a camera (TRRS) or a smarphone 3.5 mm jack (TRS) without requiring an adapter, battery or phantom power. Its cable is non-detachable, coiled and its length is perfect.  It is meant to capture audio from its source with a focused narrower perception during the recording the way we hear selectively when we focus our attention.  So far, I used it indoors for an interview with a camera positioned 3 ft away in a quite room, then with music playing at close proximity and finally outdoors while filming sport car with an 85 mm lens, so quite away from the subject at a marina with surrounding noises. During each recording, I pointed the shotgun mic straight at the audio source, rotated 90° and then all the way at 180° to test the off-axis rejection. I compared the audio by playing it back with quality headphones from the shotgun mic and the on-board SONY A6400 omni directional mics in all three scenarios. I found the self-noise to be similar between the MVP-6 and the camera while listening at 75% playback volume. However, on-axis, the audio pleasantly more focused when using the shotgun mic. If you can be close to the source (on-camera using the cold shoe while filming with a wide angle lens or using a boom pole using its 1/4”-20 threaded hole and 3.5 mm cable extension plugged into an audio recorder) and orientate it properly, this shotgun will definitely improve the audio quality. It adds clarity and some perceptible loudness to the production.  The advantage in using a shotgun mic such as this one is also to allow keeping the audio gain low(er). This is desirable because the camera’s built-in pre-amps are rarely very good. It is best to keep the gain as low as reasonable to reduce the self-noise. As for the sound characteristics: it is a little on the bright side and it reminded me of  Sennheiser.  [I have received this product in exchange for my honest review]

[Black] I was looking for a way to bring external audio into my iPad without resorting to an external audio interface. I found that some simple apps, for example the iPad's built-in video camera, don't always recognize pro audio interfaces even if designed for iOS devices. Since this cable just utilizes the ubiquitous mic input on the iPad, it works perfectly. You can run your mixing board output(s) straight into this. It has the internal circuitry needed to do the line-to-mic conversion and (if needed) summing, and other protections. Of course you get mono into your device whether one or both XLRs are connected. It was well worth it to me to not have to figure out the proper circuit and then kludge solder something up on my own. For being molded it is well constructed. I suggest being careful with the 3.5mm end and not stress it or your iPad/Phone jack by dangling this adapter with heavy XLR connectors from your iPad/Phone. Use a lighter-weight 3.5mm extension cable at the iPad first or otherwise strain relief the 3.5mm at the iPad/Phone some way.

[1.1 in] Purchased this to add a wireless 3.5mm mic to a PTZ camera that outputs video through HDMI. The camera has a 3.5mm audio in, but sounded like garbage. This fixed that. If anyone is wondering: I did PTZ HDMI to the KanexPro, Wireless mic to the 3.5mm Line In, HDMI from the KanexPro to a deck recorder. This embeds the audio to HMDI without any lip-sync issues that I've noticed. Sounds decent for the price. Will be running this on a 24/7 PTZ camera. Hopefully it holds up.