Canon Av 1 Lens Work With Digital Camera

[Rack Case] This is a great Travel Case. I work for an event AV company and was able to mount our new Digital wireless mic receiver power strip and a drawer to hold the mics. Travels great and interlocks with other gator cases in our inventory.

[Bounce Diffuser] You would think that a chunk of translucent plastic would be useless as an on-camera flash modifier. I believe this apparatus works as a light distributor in 360 degrees. I tested this product with both a Vivitar 283 and a Vivitar 285HV on a EOS 5D Mark III. It seemed to work best when I set the camera setting to Av mode at a set aperture rather than in M mode and let the flash do the work. Of course, using a slower shutter speed allowed the available light to "invade" the image and allow more "depth of field" with the allowance of light. In the Av mode, the shutter speed was slower, the IS of the lens allowed for a focused image, and that allowed for the exposure to be "perfect" if there is such thing. I cut my teeth on film and digital follows in the tradition of Adam's Zone System and everything works on digital as it did, does in analog. I was completely blown away to this fact. Enjoy your new toy. This is a PJ's staple for "controlled" flash light!

[110 lb] I use this for a 150-foot digital audio (PRO AV/IT CAT6 ETHRCN) cable. I could easily spool up another 100 feet. It has a drum break that holds firm and when released the drum turns smoothly and free. Light and easy to carry also!

[Canon RF] The 85mm does a great job on my Fuji GFX50s II with an adapter. The F.1.8 really allows you to use a high shutter speed making it easy to handhold. At 1.8 through about 4 the lens gives you a smooth, dreamy look. After that it is quite sharp. Nice feel and the Macro feature allows you to get REAL close. Very satisfied with the lens...and as always...with B and H!

[0.2 lb] I use it on my Canon 24-70mm lens to be able to focus the camera closer for macro work. Does not degrade sharpness. Have to use manual focus. Auto focus not so great.

[f/2] This is a great little lens especially for video work! I've been looking for a 35mm for my canon 60D since I discovered that my nifty fifty is equivalent to an 85mm on the crop frame sensor. This 35 is great! Sharp, fast, low chromatic aberration, close focus, built like a tank, feels great in the hand, and has a 180 degree focus rotation from infinity to macro. The focus is nicely dampened, making it great for video work where you want precise and smooth focus. My only complaint is that the camera reads the aperture as always being at F/2.0 even when changing apertures on the ring (not a deterrent in my mind, as most lenses where the aperture is changed on the lens don't communicate any information to the camera). For the price you can't beat it.

[5.9 x 4.6 x 4"] I tried Canon EF 300mm 1:4L IS on my Fuji X-T2 and it worked in AF and MF, in single shot mode, aperture priority and P mode, with IS and w/o IS. I did not try other camera modes. This lens is on the list of tested lenses. I also tried Sigma 150mm APO Macro DG lens. This lens is NOT on the list of tested lenses and it did not work. It might work in the future, if it is included in one of the future hardware updates. Performance of the adapter also depends on your camera. Helpful info can be found on the Fringer web site. All in all - I am happy with the adapter.

[Sony E] I bought this so I could use my new Sigma 150-600mm lens on my Sony A7RII and it does! So far it looks like everything works too like auto focus, drive modes, focus area... Compared to other mounts I have been using this one simply works the best and when attached to my camera it feels like it truly becomes part of the camera and not some cheap mount that wants to come loose. It's supposed to work with all of Sigma's Canon mount Contemporary, Sports and Art lens's but as far as working with Canon lens's I've heard some work but not all. Sigma did a good job with this mount.

[2.58 lb] I read a lot of bad reviews. My experience is that this lens is great!! Yes, the T.1 is soft, but I always use a Tiffen Black Pro-Mist 1 Filter for my films. So, to me, I enjoy that characteristic of a softer look at T.1. I have also seen reviews saying that chromatic aberration is too much. To me, people in post-production that I work with, spend tons of money on plugins to emulate that characteristic alone. So, to have it in lens already is pretty dope. ALso, this lens comes with a awesome hard case! The manual focus is no problem for me personally. I have honestly never truly used autofocus much at all in my career. The lens is on the heavier side. Personally, I am very active (I work out, play basketball, and golf) so holding this 4Ib lens vs a 2.5Ib lens from Sigma is virtually the same for me.  The focus without a focus puller is very smooth. If you use manual focus already and don't use / own a focus puller, then you won't need one with this lens in my opinion. My hands are small, and I can still focus relatively easily with my hands alone. Now, I did buy this lens new and not used. So that may be why there are bad reviews regarding the focus.  Overall to have a T.1 is unbeatable to me. Yes, the image is softer but that's why we have post-production (color grading in Davinci). This lens has a character that is hard to reproduce in post-production. I look at the cons as a win as a creator!

[f/2.8] I have the 30mm f1.8 projection lens and it is fantastic. I use the Dedolight Dp.1 to replace the lens turret on a Profoto Small Spot and this makes a brilliant combination. The power of Profoto flash with the sharpness, focus ability and accessories of the Dedolight attachments make it extremely versatile. The 30mm lens option makes it possible to shoot wide projections without moving the flash far from the model.