Digital Camera With Telescopic Lens

[ABS Plastic] highly recommended for storing telescopic lenses

[Full-Frame] Spectacular lens for the money. Compared to other prices for this lens, this one cant be beat. Clear crisp pictures in telescopic or macro. Will not be needing a lens like this for a while.

[+90° to -70°] I use the tripod with C-100 camera. It's sturdy, though not very light, but manageable (in terms of weight), telescopic legs afford great hight flexibility. The head works well for panning and tilting. It comes in a nice carrying case. I use the tripod for my freelance work as a one-woman band.

[Shoe Mount] I love this camera it is the best of the best for a digital camera.

[0.5 lb] Amazed I could get an adapter to connect a lens I used on a 35 mm to a digital camera! And it worked

[FUJIFILM G] I've been using this lens for the last 6 months on a GFX 50R, and it went with me on a 2 week trip to Japan... To contextualize my review, my other camera is a X100F, which I will gladly shoot at f/2 and ISO 12,800 because I know it will make a sharp looking A3+ print, despite the internet bemoaning how the lens is soft and APS-C is bad at higher sensitivities. If you print your work, you'll realize how much you've been over-analyzing your digital images while trying to financially quantify whether your camera equipment is overpriced... ahem... This lens is sharp from f/3.5 to f/16, auto-focuses fairly quickly, and is a great match for the GFX 50R as a portable kit. I have images that I can't wait to print at 30 x 40 inches, while others will certainly be cropped into panoramas or squares because I have the resolution to spare. All of my smaller test prints look flawless... If you really go nuts with pushing your raw files and you magnify your images on your monitor too much, you will notice there's some chromatic aberration and distortion being corrected in the lens profile, but this isn't unusual or much of a bother -- I've seen worse on Hasselblad and Pentax digital medium format lenses that cost more, and this issue doesn't show up in print unless you go really big or do a lot of tight cropping. If I were allowed one complaint, I just wish this lens had a closer minimum focusing distance... Needless to say, I love this lens. Getting into medium format generally brings along more expensive, well, everything, so given this is priced at the lower end of the financial spectrum, I really can't recommend it enough.

I'm a lifetime RZ67 shooter, I shoot digital more and more but at the end of the day thats the one camera I'd go down with if I had to choose. I bought this on a whim thinking it might not work great. I was confused as to how to cock the adapter (with the flange ring that attaches to the back of the RZ lens, with RZ lens set to T mode) and thought I was stuck using all the lenses wide open. Once I figured that out I was really excited. Lenses look great, not too sharp like more expensive digital glass is. Using this is my way of avoiding paying $2k or more for a GFX long/portrait/macro and I'm happier I think in general. Will be great to travel with my RZ kit and GFX50R in the same bag sharing lenses. the 180mm RZ67 soft focus lens looks incredible on here. The focus on the adapter works pretty well, larger lenses start to create a very large lens footprint coming off the front of a comparatively small camera, so support it well, don't dangle it from your camera strap and I think this will have a long life. One drawback is that infinity seems just ever so slightly out of range with some RZ lenses, not enough to be unusable but maybe enough to drive you nuts. I'll be fine using my 63mm for that.

[Universal] This product fit my rb67 and extra lens and a digital camera with ease and its the best accessory purchase Ive made.

[Zipper] If you have a compact digital camera preferably with a zoom or even a light interchangeable lens one to which you can attach an extension tube between the body and lens (or use a screw in diopter CU lens). You'll have to experiment a little, and watch the (conservative) attachment weight limit. The 2 position arm allows it to adjust for different distances. It even accommodates cell phone with included accessory.

[96 kHz / 24-Bit] Negative Supply makes a very comprehensive system for scanning film in all formats by using a digital camera and a macro lens. I needed to scan 35mm, so I bought the 35mm LED light source, the 35mm Pro Film Carrier, and the Basic Riser (to which I mounted my digital camera). Everything worked perfectly! By using this system, negatives can be scanned quite quickly, doing an entire roll in a few minutes. Mounting the camera on the riser makes the camera perfectly parallel to the film. The film carrier keeps the film flat and, combined for a good macro lens, my scans were very sharp. Negative Supply's website (www.negative.supply) has a complete explanation of the entire system, including videos on how the various components work.