Dual Impedance Condenser Microphone

[Large Diaphragm] good basic Large Capsule Condenser Microphone.

[5/8" Receiver] Use this to hold up my Blue Condenser Microphone. It's impressive because the microphone is extremely heavy #sweepstakes

[0.15%] I can't express how much I have come to value this DI. When recording (or amplifying) acoustic jazz bass from a loud stage, I do what I can with a microphone but for isolation I MUST incorporate a DI. The variable input impedance control on the TD-100 changes the loading on high impedance, passive pickups. This boils down to being an incredible tone control, allowing me to find a sweet spot in the bass tone before I ever reach for an EQ. Bass players also love the vastly improved tone which is thereby presented to the input of their amp, allowing them to sculpt an even better tone rather than simply trying to transform a poor one into something usable. I don't play bass, but if I did I would own one of these. As an engineer, I always have one handy. Using a channel with this DI either alone or in combination with a microphone yields beautiful results while also allowing me to have much better isolation than just a microphone can deliver. Highly recommended!

I can't express how much I have come to value this DI. When recording (or amplifying) acoustic jazz bass from a loud stage, I do what I can with a microphone but for isolation I MUST incorporate a DI. The variable input impedance control on the TD-100 changes the loading on high impedance, passive pickups. This boils down to being an incredible tone control, allowing me to find a sweet spot in the bass tone before I ever reach for an EQ. Bass players also love the vastly improved tone which is thereby presented to the input of their amp, allowing them to sculpt an even better tone rather than simply trying to transform a poor one into something usable. I don't play bass, but if I did I would own one of these. As an engineer, I always have one handy. Using a channel with this DI either alone or in combination with a microphone yields beautiful results while also allowing me to have much better isolation than just a microphone can deliver. Highly recommended!

[Omnidirectional] An amazingly versatile microphone. Works with high or low impedance systems. Works by either push to talk or lift to talk. Also has a lock-on switch for long announcements. It has an extra set of contacts to mute music or close a relay. Priced way below the competition.

[22 x 17 x 7"] I use this as an insert on a mic channel to help EQ a sensitive condenser microphone. Works great!

[-43 / -23 dB] I really should have bought the ADX20IP Cardioid Condenser Instrument Microphone WITH the APS910 Power Supply ... but oh well ... live and learn. I use it connected to the Tascam DR-100 MKII and have loved the results.

[50 Hz to 20 kHz] I bought the AKG C3000 primarily because I was looking for a decent condenser microphone, form a reputable manufacturer, within budget. I never expected a magnificent sound from this mic. But my expectations were surpassed considering the sound derived form the C3000. To begin with, this mic is solidly built in Vienna, Austria and looks elegant in black metallic finish. I use it with m101 preamp and the sound is clear and upfront. Given the price, it delivers a well defined sound. I am pleased!

[16-Bit ] In my case, I needed a microphone that was easy to install and would work anywhere. The result is very close to the system I have with microphone condenser + audio interface. The selector switch makes it possible for me to use the microphone in different environments and for different utilities. That is, versatile and with quality.

[1.9 lb / 0.9 kg] I’ve been wanting a way to attach a condenser microphone to my flute for years, and this little device fits the bill perfectly. Perfect for nominally acoustic settings where the sax and clarinet are present enough without amplification, but the flute requires just a bit to be heard above the rhythm section, if you already own a small condenser mike as I did, this is ideal. Yes