Flat Sided 3 Tier Plastic Drawers

[2.55 lb] This box will hold 3’x 4’ photographs. It is on the expensive side but is WAY less expensive than the flat file blueprint drawers! I am quite happy with it and it was delivered promptly as is always the case with B&H.

[Latch] It's double sided. You use one side on the mat and it's easy to take out the plastic cover. It's very sticky.

[2.54 lb] Much better than the cardboard charts which are inexpensive but flimsy and not totally flat. This has a ridged plastic frame that clicks into place as well as a ¼-20 tripod mount. If you have a camera that has the capability to fine tune the focus, then this will do the job accurately. It also folds flat and a storage pouch is included. Excellent product.

[5.68 lb] This was the answer to my quest for a strong, maneuverable flat screen mount. It is all metal except for a small plastic cover to hide the screws. It was very easy to install.

[1.4 oz / 40 g] I've found that this is an excellent way to mount 617 negatives on an Epson 850 scanner. It holds the negatives flat, without holding them against a piece of plastic or glass. In contrast, the Epson-provide mounts do hold the film against a piece of plastic, which tends to collect dust. To sidestep the dust, I removed the plastic plates from the Epson mounts, but then the film wasn't so flat (it tended to be a bit wavy). With the Lomogaphy setup -- it's easy to use -- the film is flat with no dust (if I keep my workspace clean). By the way, I liked my first Lomography mount so much that I bought a second one (thanks, B&H).

I've found that this is an excellent way to mount 617 negatives on an Epson 850 scanner. It holds the negatives flat, without holding them against a piece of plastic or glass. In contrast, the Epson-provide mounts do hold the film against a piece of plastic, which tends to collect dust. To sidestep the dust, I removed the plastic plates from the Epson mounts, but then the film wasn't so flat (it tended to be a bit wavy). With the Lomogaphy setup -- it's easy to use -- the film is flat with no dust (if I keep my workspace clean). By the way, I liked my first Lomography mount so much that I bought a second one (thanks, B&H).

[36 x 19 x 9"] The upper and lower sections seem to be made of robust, reinforced resin. The upper flat section has two metal, angled struts secured with two screws each that run along its length to reinforce it further. The vertical supports are made of plastic and are indistinguishable from the supports from common plastic shelving. The wheels are attached by pushing their pins through holes in the bottom tray, where their retaining rings ultimately secure them. Two of the wheels have locks on them and all four of them pivot. The entire cart is ultimately held together by friction and gravity, but it does not come apart when crossing rough floor transitions. All 8 of mine now have plywood caps and power tools bolted to them. The modifications were easy to make and the carts are holding up well under use.

[2.6 lb] I decided to try this when the savage 107 bars became to expensive to ship. I had no problem installing it on 107 paper. I did use a 10' piece of PVC laid across the paper to keep it flat and stop it from curling, which is key to success. You could also use the long box your paper roll came it to keep your paper flat. It took me a try or two to get the ends tight, but I had no problem taking the plastic off and getting it just right. I kind of rolled it inward when snapping the plastic on and that seemed to make it taught all the way across.

[Aluminum] Exactly what I needed for lighting up backstage rack drawers. Just as described.

Exactly what I needed for lighting up backstage rack drawers. Just as described.