Fujifilm Cine Camera

[Yes] This camera makes me want to shoot! It's honestly my favorite fujifilm camera! Love it!

[APS-C] I bought this camera to replace my Fujifilm X-T1 as my on-the-go camera and it has exceeded expectations.

[Autofocus] Nice compact lens that makes already compact Fujifilm X-E3 an even better walk around camera.

[10] I bought this to put into my FUJIFILM INSTAX SQUARE SQ20 Hybrid Instant Camera. It fits perfectly and it allows more storage on the camera. Be careful not to drop or lose it because it is tiny but for the camera I am using it for, it's perfect.

[APS-C] is it best for fujifilm XH1 ?

[3.7 VDC] It works well with my older FujiFilm camera, especially if I push the correct button to turn the camera on.

[0.03 lb] I used this on the Fujifilm X100V with the lens hood on. The Cap that came with the camera won’t fit.

[IPS-Type LCD] I bought this for my RED V-Raptor. Why didn't I just get the RED monitor? They are basically the same price! Let me explain... The RED monitor is fantastic. One cable, attaches directly to the camera, user buttons, well built, and only slightly more expensive. BUT... I can only use the RED monitor version of the Cine 7 on a RED camera. And if you think I am going to spend 3K on a monitor that I can only use on one camera, you have another thing coming. With this monitor, yes, I need two cables instead of one. That is where the shortcomings stop. The Cine 7: 1. Can use on any camera. Any camera! 2. Still have complete camera control. 3. 500 more nits of brightness. Yes, 500! And it does make a difference. 4. A little bit cheaper. 5. Want Arri camera control? Yep, for $500 you have Arri camera control too. 6. With the RED monitor on an Arri camera you would have a paperweight. You get a better monitor that you can use on any camera. I attach the monitor directly to the RED top handle using the SmallRig Swivel and Tilt Monitor Mount with ARRI-Style Accessory Mount. Perfect.

[T2.2] With an ownership of less than a month, this lens has dramatically improved the way I take photographs. Wanting to look for a third party lens, I decided to look for a prime lens that could come down to a low F-Stop for photography. But after research, consideration of the capabilities of my camera, and future endeavors, I opted to look for a cine lens. Budgetary restraints kept me looking for lenses with a low price, but I didn’t want a lens that would zoom when focus pulling. Then I came across a review for a series of the Rokinon DSX High-Speed Cine Lens. My need for a telephoto lens fueled my purchase of the 135mm T2.2, and the quality of the images has not disappointed me yet. Allowing the camera to do the work for you, takes away for the experience of photography. Another reason a person should consider purchasing a cine lens is because of the mechanics. One could get carried away by allowing a lens’s auto-focus capabilities, but sometimes lens doesn’t know what you’d want to focus on. Cine lenses do not typically have this feature, but it forces you to really take control of how you want your images to look and improves how you get creative with your photos. Made for professionals but should be considered by beginners. This lens, like many cine lenses, doesn’t have autofocus features because it has been designed to be used for cinematography and film production. The T-Stop and Focus Pull have been outfitted with rotary gears, so you can attach a focus pulling system, if you would like to boost the quality of the cinematography. But for photography, the focus pulling system wouldn’t be necessary. To sum up everything, the 135mm T2.2 Rokinon DSX High-Speed Cine Lens, can improve how you capture your images. The manual mechanical features is a great way to combat the reliance of the lens to know what you want. This professional grade piece of equipment, doesn’t just have to be used for large projects, but also smaller, everyday occurrences.

[6.43 lb] Anyone who uses a lot of cine glass knows that the 18-35mm Sigma Cine is legendary for into film makers. Please ignore the other 2 star review as this person clearly doesn't understand the value of lenses. The lack of LDS makes this lens actually "affordable", and speaking of which, is considered CHEAP for the quality of the optics and build. A lot of people are ordering entire era of primes and zooms for RED cameras (ourselves included) for a reason. Sigma Cine lenses are arguably the best value for the superb quality in the industry right now.