Guitar Effects Loop Pedal

[+48 V] I play both guitar and keyboards. I got this mixer so that I could plug in a couple of keyboards, the combination effects pedal, and a microphone all at the same time and feed them into a couple of Behringer powered speakers. The keyboards and the effects pedal have stereo outputs which works out great with the 4-sets of stereo inputs on the mixer. So far I have been very happy with this mixer. I have been enjoying the convenience and the additional effects. one way it could be improved would be to add XLR mains.

[58.42 lb] I loop this through a Zoom G9.2tt through its instrument IN jack....Zoom's pedal allows its SEND/RETURN module to be inserted at different places in a ten module chain and MIDI in/out allows total patch switching and drum kit setups between the Alesis SR-18 and the Zoom pedal! Plus there's bass. And DC for outside. In the perfect world, it should have USP 2.0.

[200 Ws] I use this to power a guitar pedal rather than changing out batteries. Works perfect, no complaints.

I use this to power a guitar pedal rather than changing out batteries. Works perfect, no complaints.

[Up to 24-Bit] As the CEO of the Boomerang Loop pedal company, I have very high standards for sound quality. The ToneMatch is unparalleled. No other mixer comes close to what the ToneMatch offers in size, ease of use and most importantly sound quality. BEST pre-amps I've ever heard. It's far more than just a mixer.

[8x NEMA 5-15R] Added to my rack unit to supply power conditioning to guitar effects.

[9 VDC, 50 mA] I got the last one in stock (time to reorder, B&H!) and I can see why... the Mel9 pedal adds a completely new vibe to any electric guitar setup. It's very dynamic and responsive, only slightly losing track with very soft notes. Send the dry out to one amp, and the effect out to another (or the sound board) and your sound palette gets very big very quickly. Like everyone else probably did, I immediately dialed in the flute sound and learned Strawberry Fields Forever, but it doesn't stop there. Strings, cello, orchestra and choir sounds are super-fun and very authentic - even down to the warbly tape sound. One thing I'm considering is putting an EQ pedal on Mel9 as its sounds can be a little harsh in the midrange. Dial that back, add some reverb, set the attack and decay at about 1 o'clock, and you have a string pad like keyboard players have always enjoyed - at a fraction of the cost of MIDI guitar synth. Play around with pickup settings too, as the effect sound definitely responds differently to neck vs. bridge pickups. Playing speed is also a factor... most of the sounds take a little time to bloom, so staccato, rapid picking probably won't let the sounds fully develop. But for adding a huge layer and vintage texture to your sound, the Mel9 is where it's at. I can't wait to try it on bass guitar too. This one will be used a lot.

I got the last one in stock (time to reorder, B&H!) and I can see why... the Mel9 pedal adds a completely new vibe to any electric guitar setup. It's very dynamic and responsive, only slightly losing track with very soft notes. Send the dry out to one amp, and the effect out to another (or the sound board) and your sound palette gets very big very quickly. Like everyone else probably did, I immediately dialed in the flute sound and learned Strawberry Fields Forever, but it doesn't stop there. Strings, cello, orchestra and choir sounds are super-fun and very authentic - even down to the warbly tape sound. One thing I'm considering is putting an EQ pedal on Mel9 as its sounds can be a little harsh in the midrange. Dial that back, add some reverb, set the attack and decay at about 1 o'clock, and you have a string pad like keyboard players have always enjoyed - at a fraction of the cost of MIDI guitar synth. Play around with pickup settings too, as the effect sound definitely responds differently to neck vs. bridge pickups. Playing speed is also a factor... most of the sounds take a little time to bloom, so staccato, rapid picking probably won't let the sounds fully develop. But for adding a huge layer and vintage texture to your sound, the Mel9 is where it's at. I can't wait to try it on bass guitar too. This one will be used a lot.

[6.19 lb] Admittedly, I don't use this for an effects pedal. I bought it to fit my Akai Miniak keyboard and it fits like a glove in this case (the Gator synth case was too small), and the price is reasonable. The case has high-quality canvas-nylon material and heavy-duty zippers, guaranteed to keep your equipment safe. There is also front pocket that will store cables and other accessories.

[1 User] I have been using a Strymon BigSky and Cloudburst, along with some other pedals with my 34 string Lever Harp. I mainly play ambient music with huge reverbs, and also play some traditional Celtic, and a host of other genres. I was looking for something that would cover a lot of ground for a little money. For $149 this pedal is a steal. I was researching the MS-70CDR and had decided to buy it, just as this was being released, so glad I was able to get the upgraded version! Something really, really cool is that you can simply plug the pedal into an iPhone (no adaptor needed!) and edit patches, stack pedals, tweak sounds, all using a simple to navigate (free) app. The sounds are very good, there is no discernible noise, and the amount of effects they pack into this unit is just mind boggling! And you can stack up to 6 effects at once to make patches that fit your needs. Just an awesome pedal, and B&H shipped it really fast, had it in like 2 1/2 days. If you'r on the fence, for the money, and for the sound, I think you will be very pleasantly surprised!