Hybrid Semi Gloss Projector Screen

[20x Sheet Paper] Great paper. I recommend it to everyone who like a luster/semi-gloss finish.

[280 gsm] Canon Semi Gloss doesn't come in a 5 x 7' size so I tried this and it is all I now use for 5 x 7s. I really like the satin finish.

[Single] I like the semi-gloss surface and it prints great with my Epson ET-2720

[21 lb] The metallic finish and the semi gloss shine are simply amazing. Love this canvas.

[Glossy] I got very nice results with my Canon Pro 200. I just they would make a second version in a luster or semi-gloss.

[90%] The metallic sheen is not super-glossy; I would call it a semi-gloss, which is my favorite finish.

[315 gsm] Gorgeous semi-matte paper. I've been using the Innova Fiba-print White Gloss (f-type surface) as my #1 fine-art paper because it replicates the great air-dried semi-gloss fiber-based darkroom papers of old, but I just tried this Innova semi-matte and was bowled over at how rich and gorgeous it prints up in B&W on my Epson R-3880 with its K3 inks. The look is something like the Old Agfa Portriga Rapid paper. The surface is not a dry matte, but rather a hard satin matte with a very subtle texture. This combination gives the print a quality, richness, and elegance that's hard to get elsewhere. What's more, what you see in the photo remains the same from all viewing angles. There's no annoying light reflection off the surface when viewed from the sides (so keep this in mind for your gallery prints). In any case, when you want to retain the richness of the semi-gloss... but in a matte surface, this is the paper to use. It does use the Epson Photo Black ink and works well with the semi-gloss or lustre setting. Very fine product by Innova and well worth the price!

[100% cotton] Ilford Galerie Gold Fibre Silk has been my go-to paper for both black and white and color pigment prints, when I want a semi-gloss finish. Its long tonal range and good separation in highlights and shadows won my heart after I tested it against about a zillion other papers. However, Ilford has regrettably discontinued it, and it's becoming quite difficult to get. They have replaced it with Gold Fibre Gloss, which, despite its name also has a semi-gloss finish, and almost the same tonal response, but without optical brighteners, the whites are supressed just a little bit--enough to make me and a lot of other users search for an alternative (Canson Photographique II, which also seems to be unavailable at this time). It's a tough moment for semi-gloss users! This made me re-discover my love for matte papers, like the Moab Entrada Rag Bright 300.

[High-Coercivity] I recently got into printing after 12 years of serious photography, and I started by sampling about 30-40 different papers. This is one of the top papers that immediately stood out. The semi-gloss finish has all the depth, contrast and color saturation of a fine gloss/semi-gloss paper, but with a very subtle pearl sheen and not a lot of reflectance. The paper feels great in the hand and the surface is beautifully lightly textured. Prints have depth and great color and contrast without the hard 'bite' of a baryta paper. As such, this is my go-to paper for landscape images due to the detail, color and depth but with a gentle tonal rolloff that really looks beautiful.

[8.2 lb] Subtle paper pattern will be seen if used in a press against a glossy or semi-gloss print surface, but otherwise fine as a separator for finished prints.