Kodak Vision Color Intermediate Film

[100] Kodak ektar is my “go to” film

[200] Wow, the old Kodak Tourist comes back to life! Kodak Portra 160 is a great color film.

[C-41] Great film, though sadly Kodak no longer makes the Neutral Color and Vivid Color options.

[200] let me say that hands down thankful that someone is making and supplying this film. im thrilled to have the option of color on my Kodak bantam

[35 mm] An absolutely stunning color film at a very reasonable cost per roll. Tons of latitude and very accurate colors when processed ECN-2. Despite what a lot of folks on the internet suggest, I was unable to get satisfactory results when cross processing in C-41 chemistry. The images were just far too blue shifted, even when shooting with the correct 85b filter under daylight. Instead I've taken to mixing ECN-2 developer following the Kodak datasheet, which I use in conjunction with my existing Kodak flexicolor C-41 bleach and fixer. This gets me color accurate images and so far doesn't appear to require the specified sulfuric acid stop bath that Kodak specifies.

[ISO 400] This film is certainly different than Kodak or Fujifilm in terms of contrast, grain and color that adds a green tint. It gives a specific aesthetic to your film which if you aren't necessarily looking for, you may not be happy with the results of this film. Personally, I love it! So fun to try out.

[200] Ill start out by saying that I love this film. It is the least expensive 120 color negative film on the market. Colors are fantastic and grain is very fine. Ive shot countless rolls of this and consider it to be my primary 120 film. I contacted Lomography directly, as I was curious as to what this film really is. Lomography was able to confirm for me that all of their 120 color negative films is simply Kodak Gold / Kodak Ultramax that has been cut to size from a master roll. This makes sense, as the color profile of this film matches Kodak Ultramax 400 identically. So, when shooting this film, you can breathe easy knowing that youre shooting fresh Kodak film.

[35mm] While nothing will ever truly replace Kodak's PKM and PKR, E100 is, by any fair assessment , a first rate offering. Soon after its (re)introduction, I gave E100 a test, not really certain how the film would stack up against its earlier iterations, E100G and E100VS. I was not disappointed! This film has since become my sole color film. Its rendering to my eyes is accurate, its grain almost invisible, and its contrast punchy. As with any slide film, it demands careful metering and care to realize its full potential. Expensive? Certainly. But a film that will continue to be my go-to for color work. Kudos to Kodak!

[Color Negative] Bankruptcy or no bankruptcy, Kodak still makes great film!

[Daylight] Surprisingly clean for a 250 ASA, of course Kodak has come a long way with these new Vision 3 stocks. Highly recommended.