Kramer The 84 Matte White

[40°] If you bought the 84 Softbox, you must get this grid to control it.

[96%] love the bright white of the paper like it better than enhanced matte

[97.3%] I use Innova FibaPrint White Matte for all my black and white fine art prints. I use an Epson 4800 (hence 17 width roll) converted to a K7 machine using Jon Cone's Piezography inks. After dry down I use liquid laminate to give my prints that true air dried fiber print look.

I use Innova FibaPrint White Matte for all my black and white fine art prints. I use an Epson 4800 (hence 17 width roll) converted to a K7 machine using Jon Cone's Piezography inks. After dry down I use liquid laminate to give my prints that true air dried fiber print look.

[0.075 lb] Kramer has the best AV accessories.

[Cotton Rag] Awesome Matte Paper with great tone separation for Black and White.

[Luster] Ink dries instantly, thick bright white matte paper, good both sides.

[99.12%] Canson Infinity Arches 88 has become my go-to paper for matte prints, whether color or black&white. With its very smooth surface and neutral white color, the blacks are deep, rich, and clean. Colors are true and fully saturated, and every fine detail stands out with no distracting surface glare.

[112%] I like the look of black and white photography on matte inkjet papers. However, for a long time I hated printing color photography on my Epson 3800. Ink and paper are expensive, and the print quality still left a lot to be desired. My color photographs reminded me of cheap silkscreen prints. This paper is the best thing I have found for digital color photography. I love this stuff. It's not quite the same as a darkroom print, but it's good enough that I appreciate this material on it's own- not just as a substitute for darkroom materials.

[Double] This paper is a pure white, relatively heavy beautiful paper for all types of images albeit not inexpensive. It my go to matte paper for important photos.