Line 6 Spider Iii 15 Guitar Combo Amplifier

[0.96 lb] I use this bracket with Canon 5D III, 7D, and 580 Ex II. Both camera bodies have Custom SLR M-plate with Spider Pro pin and a RC2 plate is connected to the bottom of the bracket. The 2 things to consider are: - With speedlight mounted 4 inches forward towards, the lens, balance is different thus making one-handed shoot difficult - The swing-out support arm works fine with my configuration but probably would not be stable if a Spider Holster Plate with Pin were mounted underneath this bracket (due to pin). Supports that prevent the sync cable/speedlight from rotating are very effective. Also, bracket changes between portrait and landscape modes easily.

[1] From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

[30] Works great with my Chord 2Qute DAC, Dayens Ecstacy III amplifier, and Triangle Esprit Comete EZ speakers. A very nice boost in overall performance! Bass is much better / tighter with a greater sense of pace. Interesting and improved presentation for Redbook CD's in a very good way! I am very pleased with the purchase, and BHP is the bomb for customer service and fast shipping coast to coast! Recommended product and dealer!

[Active 2-Way] I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

[Download] In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

[Handheld] Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

[Bass-Reflex] For 15+ year old technology applications, and you need 7 - 8 zones of amplifier protection, can't find a better deal. Only thing I could recommend are room labels of some kind. I made my own labels, but competitor's price (if you can find equivalent) is $350.

[2.65 lb] I use this for powering a, line audio in / multi line out amplifier for feeding multiple recorders. Until now I've had to use two, 12 VDC, batteries wired in series to power it since I just couldn't find a small (inexpensive) 24 VDC power supply. This works perfectly and seems to be very clean DC since I cannot detect any 60 HZ hum in the audio signal.

[50 to 90 MHz] For small combo work with a hollow-body jazz guitar, this amp has a great clean tone and in small rooms plenty of power even at its 40 watt rating. It must be extremely efficient because I have yet to go beyond 1 on the volume.

[Cardioid] I mainly bought this for mic'ing guitar cabinets and combo amps. It does a great job! Very warm and punchy, and not at all harsh or thin like some condensers can be on guitar amps. I have used it on sax as well and was very happy. I have not used a lot of other ribbons, so I don't have a lot to compare it to, but for the money, I think this mic is worth every penny.