Metabones Ef To Blackmagic Cinema Camera

[Aluminum] With this adapter I'm able to use my EF-S lenses for my Blackmagic pocket cinema camera.

[600D Polyester] A very nice and solid case for the Blackmagic Pocket Cinema Camera.

[1 TB] Mounting kit included works great with Blackmagic cinema camera.

[0.065 lb] Works exactly as expected with no issues (with the Blackmagic Pocket Cinema Camera 4K)

[4x 18650] I have tried it with my Blackmagic Pocket Cinema Camera 4K, which is too wide to fit without some kind of adapter. First, I just used the riser that comes with the gimbal, offsetting the upper plate. That worked, but made it hard to attach the camera. Then I got a quick release plate (just an inexpensive one made by a company called Andoer). That is certainly more convenient. I have never used a gimbal before, but found it very easy to balance the camera on it. The roll lock certainly helps. I would guess it took no more than 5 minutes, and I expect to get faster at it as I gain experience. Its very easy and intuitive to use, solidly built, and the motors are certainly strong enough (but I havent tried it with a heavy lens). The batteries take a long time to charge, but seem to last a long time. I suspect one could get a full day of use out of them.

[0.25 lb] I use this for my Blackmagic Cinema 4K camera and my IKAN Quick Snap Pro Battery Rail Kit with V-Mount Battery Plate for Blackmagic Cinema Camera / Production Camera. When I bought the V-mount it came with the P-Tap to BMCC adaptor but it came with an additional add on part to fit in the AC jack on my camera. I had it for a week and some how the adaptor piece broke. The v-mount plate works great and is sleek but I needed a replacement part to have it work. I found this and everything is much easier. Theres no additional plug to make this work, this is ready to use out of the box and works perfectly with the Blackmagic Camera. No headache, no issue and so far its working perfectly. Worth the money.

[Nickel] I bought it to see if I could get some fair in camera audio for my Blackmagic Cinema Camera 2.5K using a Tascam DR-100MKII as a microphone for some interviews. I'm really tired of capturing audio with an external audio recorder, then finding the audio clip, synchronizing with video and repeating the process in post. I wanted to try to get in camera audio even if that means to deal with some messy cables from my camera. So this Hosa Technology REAN 3.5mm TRS to Dual 1/4 TS Pro Cable was the best solution I could find. In camera audio quality was fair if you place the Tascam about 3 feet away from the talent, I'm pretty sure an audio technician can get even better results as I'm more about video. In post you can enhance what you captured eliminating the white noise. You can also use the cable to attach it to wireless audio receiver it works ways better with a Lavalier system.

[NTSC/PAL] I used the Blackmagic Cinema Camera in college and decided to get my own film camera after I graduated. I had my eye on this for a long time and finally decided to pull the trigger. It's amazing! The touch screen menu makes changing the settings lightning fast and the image quality is unbeatable in this price range. The only downside is the battery life. But, there's a wall plug and other battery upgrades available, so it's only a minor inconvenience for me.

[T3.1] This is a great lens, but I will only be using it on a tripod. I use it on a Lumix camera with a Metabones Speed Booster. I already had the Speed Booster, and went for the EF mount for that reason along with being able to mount it directly on my BMPCC 6K. There's no way I would use without a tripod however. It's just too heavy to make that any fun at all. Besides that, by the time you dial in the exposure and focus, the shot could be gone. So static scenes are the best use for this lens.

[100%] This camera is amazing, especially when paired with a Metabones speedbooster and EF lenses. I am a freelance journalist and use this for video journalism purposes, including at actions at protests and outdoor events, and the small profile makes this camera less intimidating to people, even when attached to a rig and some accessories. Before buying this, I'd considered Sony's lineup, like the a7 III, which was a comparable price, as well as Canon's R series. I can't say how the GH5 II stacks up in comparison, but for my purposes, this has worked very well. One tradeoff is that it's not great in low light, but having and small external light (attached to the camera cage even) addresses that. At this price tradeoff seems to often be low light performance, better in full-frame and Sony's cameras, vs stabilization, and the the in-body stabilization allows for a great handheld feel without footage being to jittery. As is commonly noted, the autofocus also isn't that reliable, but I enjoy manual focus anyway. That's something to consider, depending on what you're up to, because manual focus pretty much requires a rig with a handle and a monitor, but the profile of the whole setup is still decently small. I believe that soon-to-be-released GH 7 will be much better in this realm, as I think the GH 6 was, but I came from a Canon EOS camera, so I was able to use all my EF lenses once I got the Metabones .71x speedbooster and the image quality is amazing, for this budget.