Microphone Boom Stand Clamp

[Steel] I use the Mini Matthellini Clamp to hang a dynalite pack from my boom stand -- Attach a Super clamp to the boom stand, then a 5/8 pin to the Super clamp, a grip head onto the 5/8 pin and the Mini Matthellini Clamp into the grip head... The Mini Matthellini Clamp hangs straight down and the V-shape of the Mini Matthellini Clamp holds the Dynalite pack handle perfectly., keeps the cords from dragging on the ground and the pack hangs perfectly straight instead of at an angle (if you use a J-hook on a Super clamp you can't get the Dynalite pack far enough away to hang straight down). Anyway, really good quality clamp, I love it.

[0.86 lb] Clamp works perfectly and allows me to move the boom stand around - and not cause damage to the desk or table on which I move it.

Clamp works perfectly and allows me to move the boom stand around - and not cause damage to the desk or table on which I move it.

[Screw-Knob] I have used this combination boom and stand in the studio for more years than I can remember. It's like a Neumann microphone...it's not a studio without one. Tuff, smooth and easy to use. Nothing bad to say about it.

[Aluminum] This clamp lets me mount a Flashpoint XPLOR 600 Pro body to a Flashpoint boom stand, and project the extension head out. I'm fully confident in the clamp's grip, and mounting the heavy strobe body low adds reassuring stability to stand. I don't even need a sandbag!

[Chrome ] It's just the right length for my application. I have a tight working area for audio. I have the boom on a microphone stand behind the rack and it comes through from the back, so that the microphone is positioned directly over the mixer. Plenty of adjustments make it fit almost any application.

[5/8"-27 Male] I needed a boom arm but not the stand to hold it, so this was perfect. It's substantial enough that I can trust it to hold the microphone, and it telescopes smoothly.

[5/8" Receiver] This works great and allows me to attach my microphone clip to the boom on my sturdy light stand. The sturdy set up means that the microphone stand will not fall on expensive instruments.

[Plastic] The K&M 252 has proven to be my favorite microphone stand. I ended up buying six of them. I work strictly mobile, and never know exactly what situations I will encounter. The 252 has 3 sections in the base and two in the boom. I can place a mic near the floor, or high enough above a seated musician for a spot mic. I can record a piano on half-stick without removing the boom, or high and low over the strings. The stand is surprisingly heavy, which lends great stability when the boom is extended.

[5/8"-27 Male] I purchased this low height drum stand with boom to use for my particular Desk Top Microphone setup. I can extend the boom fully and it will still support a Rode NT-1 mic with the large, lyre-type Rycote shock basket, if the boom is extended over one of the tripod legs.