Nikon Full Hd Digital Camera

I've purchased many cameras, lenses and accessories from B&H. I love my full frame digital Nikon which weighs about 5.0 lbs with lens. By the time I climbed to the top of the Acropolis in Athens, Greece, the decimal point dropped out! This Sony is a wonderful side kick to my Nikon. I bought a second one as a Christmas gift.

[Carabiner] I've used analog SLRs for years and transitioned to digital point and shoot cameras about 8 years ago. I've steadily upgraded and finally after much research settled on what I now consider to be the best technology short of a digital SLR. I will use this for not only family pictures, but also on the cruises that my wife and I take periodically. In particular I'm looking forward to pictures from our upcoming Alaska inland passage cruise in early September. The 20X zoom with an effecitve 28 to 560 mm range is fantastic and at long focal lengths the image stabilization does a great job. I like the fact that you can record HD movies, but wish the HD cable was standard rather than what appears to be proprietary. Otherwise, I am thoroughly pleased with this camera. While it has high tech features that will take me months to master, the ease of taking pictures right out of the box and the quality of the results with virtually no learning curve is a real plus. Would definitely recommend this camera to anyone looking for a longer zoom point and shoot that will provide consistenly high quality pictures.

[3.7mm] This camera is for underwater professional video. It is a full HD signal. SDI was what I needed. It is a perfect size and can be used with great optic. As all the time B & H was very fast for shipping. I received the camera 2 weeks after the order. Four to six were annonced.

[0.065 lb] Basic adapter to facilitate mating camera (Nikon) to my Celestron Edge HD 11 SCT. Works perfect as it should.

[62 mm] this filter is quite a nice surprise. I mainly bought it to use with a full spectrum digital camera for IR. Many times the full 25 Red is too much of an effect and I wanted something more on par with the density of a standard orange filter but red. The 23A is exactly that.

[0.3 lb] Shoot aerochrome with you converted full spectrum digital camera. Works like a charm, just set your white balance and trees turn red but keeps the sky blue. No need to sit in front of your computer to swap channels. Ensure that your lenses do not create hotspots. Some lenses can create spots in the centre of images.

[P-TTL] I have had this camera for about 4 months now and I am very very happy with it. I have been using a mirrorless full frame camera for the last 5 years, but the prospect of a monochrome-focused camera was too good to pass up. I specialize in monochromatic images and have a lot of success selling them in a gallery in Juneau, Alaska. This has brought an excitement to my artwork that I haven't felt in some time. It really brings a film-grain richness to the images, the noise is handled beautifully, and the dynamic range is excellent. I ended up selling all of my Sony FF gear and am all-in with this beauty. I also print a lot of cyanotypes from the files and this camera has improved my digital files I use for the digital negatives I use in the process. Thank you, Pentax, for thinking outside the box.

Shoot aerochrome with you converted full spectrum digital camera. Works like a charm, just set your white balance and trees turn red but keeps the sky blue. No need to sit in front of your computer to swap channels. Ensure that your lenses do not create hotspots. Some lenses can create spots in the centre of images.

[FUJIFILM G] So you know where I'm coming from: Shot medium format film in the 80's and 90's. Loved the image quality. And because of that experience, I couldn't bring myself to buy a digital camera that was only full frame that cost more than my Mamiya 645! Not trying to start any arguments here, I think digital full frame image quality is generally better than 35mm film, but I still couldn't buy it. Finally, with the Fuji 50R, I found a price point and a cropped medium format compromise I could live with. The Fuji 32-64 and this 250 are the 2 sharpest lenses I've ever owned. The image stabilization on the 250 is fabulous. Even with the 1.4 teleconverter(sorry it's not 1.9 or 2), I have taken seemingly impossible hand held shots at 1/30th of a second. To an old film guy, that's impressive. The engine image is a straight-out-of-the-camera jpg that has been resized for upload, but look at the severe crop of the front where one can easily read where the toolbox is. This is a handheld shot with the 1.4 teleconverter on a moving train. Auto focus and OIS on, F9, 1/180, ISO 400. I can live that.

this filter is quite a nice surprise. I mainly bought it to use with a full spectrum digital camera for IR. Many times the full 25 Red is too much of an effect and I wanted something more on par with the density of a standard orange filter but red. The 23A is exactly that.