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Related review
Kyle | 0000-00-00 00:00:00 |
[62 mm (Front)] I have both the Rokinon 35mm f/1.2 and the 50mm f/1.2 for my Canon M5. Both lenses are rockstars. While they require manual adjustment of the aperture and focus, I actually appreciate that level of engagement when shooting with prime lenses. This lens is usably sharp at f/1.2, much more so than the Canon 50mm f/1.2 (roughly the same focal length when mounted on their respective native cameras). The richness of the colors and contrast is on par with the EF-M 22mm, which is good. This lens also gets top marks for bokeh and build quality. If you're looking to add fast primes to your M kit and know how to shoot on manual with manual focus, this lens will deliver. 5 |
Gus C. | 2024-04-04 06:49:27 |
[39 mm] Nice quality. Bought it for a Voigtlander Nokton 35mm 1.2 II. Got to protect that glass! 5 |
Robert | 2024-04-08 05:22:50 |
[Manual Focus] I bought the Voigtlander Nokton 23mm f/1.2 to use on my Fujifilm X-Pro3 and I was sold. I liked it so much that as soon as the 35mm was back in stock, I ordered it, and I love it, too. I am really enjoying using manual focus and the rendering from both lenses is very appealing to my eye. The build quality of these lenses is first rate. I think they're worth every penny. Don't get me wrong, the Fujifilm lenses are wonderful, but the Voigtlanders are fantastic as well. If Voigtlander comes out with more X-mount lenses, I'm buying them. 5 |
William | 2024-04-13 01:47:51 |
[58 mm (Front)] Perfect alternative for 35mm / 50mm when you can't decide which to take with you. Usually shoot 24 / 35 / 75 or 28 / 50 / 90, but when birding with longer focal lengths, this 40/1.2 VM (+M10) is a great complementary option. 40/1.4 MC VM was nice (classic wide-open, modern stopped down). This 40/1.2 is more modern throughout its aperture range: sharp even wide open, with excellent colors and blur. 5 |
Tobias | 2024-05-12 02:29:31 |
[Yes] Who doesn't want a 35mm lens with a f stop of 1.2? This lens delivers exactly that. But with great power comes great responsibility. Responsibility in this case being weight and a slightly noisy autofocus. So if you have a strong set of arms and don't record audio right next to your lens I would say this is the lens for you. 5 |
Richard | 2024-06-22 04:14:42 |
[9, Rounded] I have the full complement of Olympus Pro Lenses. Really going over the decision to purchase this 17mm 1.2 (approximately 35mm) was so difficult—if you have the 25mm 1.2–why get the 17mm 1.2? The lens is not inexpensive for the average photo shoot—the 1.8 is about a third the price. However, watching comparisons and reading up on both lenses I’m sure you will want the 1.2. Because I’m a people shooter I look at lenses with how many people can fit with no distortion: 25mm=2/45mm=1 and the best for four = 35mm or this micro 4/3 17mm—great Bokeh and extremely versatile—my now “always on the camera” lens—extremely sharp and wonderful in low light. You will want the 17/1.2 in your bag—also great for street shooting at night. 5 |
Ginette | 0000-00-00 00:00:00 |
[8 x 7.6 x 1.2"] This is my second ND 1.2 filter (I also own a Hitech grad filter). Fits the Cokin P holder; no vignetting on my Nikon 17-35mm 2.8. Great product! 5 |
Darlene | 2024-04-08 06:12:36 |
[APS-C] This lens replaced a Nikon 50 f/1.2 when I made the change to Fuji. Great lens with a slower than preferred focusing speed (I would give it 4.75 stars). In a dim studio, I find it easier to manual focus. I love this lens and would purchase it again. 5 |
Troy | 2024-04-27 07:28:23 |
[Autofocus] The Nikon NIKKOR Z 50mm f/1.2 S Lens with UV Filter Kit is probably one of the best prime lenses that I've ever owned. 5 |
Michael | 2024-05-09 07:37:12 |
[1.6 lb] I shoot both Nikon FX DSLR & m43 with great glass on both systems. I use m43 to bring the smallest/best possible camera & lens with me in social situations where one cannot appear to be a pro photographer. Restaurants, nightlife & concerts. The Zuiko Pro 17/1.2 is my #1 lens for this purpose. It on an E-M5 III looks like a serious camera but is inconspicuous enough to not kill the vibe while I'm out living an interesting life and taking photographs along the way. You can shoot wide open at f/1.2 and have thin but usable DOF. Close up food photography I'll stop down anywhere from f/1.6 to f/4 depending on how much DOF I want. Sharpness, color, contrast, smoothness of bokeh, whatever optical criteria is close enough to flawless. Focus is super fast on Olympus phase detect bodies, silent, accurate & the build quality is impeccable. My only knock is the Zuiko Pro lens hoods aren't as nice as the top spec PanaLeicas but such is life. They're fine. I'm not complaining. The results speak for themselves. Just buy it! 5 |