Price Shure Sm57

[1" / 25 mm] Works with Shure sm57.

[Black] Love it with my Shure SM57! Have got a lot to my gain

[11 to 52 V] The Shure SM57 is an industry-standard dynamic microphone for a reason. It's versatile, and its durability is unmatched. Vocals, instruments, you name it—this mic delivers fantastic results. The included cable kit is a nice addition, ensuring a quick setup. The cardioid pattern minimizes background noise, making it ideal for both live performances and studio recordings.

[Black] these windscreens are a quality product. i use them on my Shure SM57 microphones. they are simply placed over the top of the microphone & have a snug fit.these windscreens differ from the Shure brand windscreens in two significant ways. first, the Shure brand is far more expensive. second, the Shure brand requires a small, eyeglass-type screwdriver to lock the windscreen onto the microphone (the shure brand windscreens can be seen on any presidential podium since 1965).WindTech has provided a much easier, cost-effective, & acoustically transparent way of eliminating unwanted wind &/or pop noise from your microphone.

[4.085 lb] I use this case for handling shure sm57 and 58 and its very small and useful to protect them by the way. I Recomend it becuase its hard, small and cute.

[Cardioid] I bought this mic to record electric guitar and it works exceedingly well for that purpose in both clean channel and overdrive. The mic is a dynamic that works best with pre-amps that have a normal 1.5K to 2K input impedance which makes it useful with a wide array of modern audio equipment. (I also use a Shure SM57 and a Shure SM7B for electric guitar and they work best with pre-amps that offer a lower input impedance such as 500 ohms.) The sonic characteristic of the Heil PR20 sits between the SM57 and the SM7B. The Heil has a rich low end, a slightly forward mid range and a very smooth top end.

[Mono] The Shure SM57 is a world class microphone. It's been around for ages and, while that doesn't have to mean much because some mics such as the SM58 I find to be always an inferior option, I think with the 57 Shure have really nailed it. I bought this for a recording session for an acoustic guitarist I work with. The mic sounded great on each guitar he brought in. Or rather the guitars all sounded great through it. Naturally you'll want to do additional processing for a polished recording but this mic offers such a wonderful sound on all it captures. Just a little EQ & compression along with any time based effects will really make your source material shine. I now primarily use this as a vocal mic live and in the studio. It works wonderfully for that as well. Live I use no additional processing and in the studio I get pretty effect heavy. In both situations it stands up. The Shure SM57 is at home in anyone's studio or live rig and I truly believe Shure will probably be manufacturing this microphone for all eternity with good reason.

[Clamp Lever] I have three of these stands, which I use with the K&M 21140B boom.  That boom is small and light enough that lighter microphones (Shure SM57, etc.) can be used with no problem.  This is a high quality piece of gear, and excellent for portable use due to its small size when collapsed, and its light weight.

[Phantom Power] I upgraded from a Shure SM57 as an overhead; And also a vocal microphone. Much better sounding and clear than the 57.

[150 Ohms] This is a great alternative to the Shure X2U at half the price!