Shure Sm7B Dynamic Microphone

[Standard DI] All I can say is Wow. You'll have to hear it to believe it. I tried it with a Shure SM7B microphone.

[1.27 lb] I swapped out the Shure SM7B for this because it took too much to drive it (I used a Cloudlifter) and the results were inconsistent and just okay, at best. I had read about this mic being similar in build, but a supercardioid condenser mic instead of dynamic. The sound was warm and clear like a dynamic, and no additional switches to fool around with. Just plug in your XLR cable and get to work. I re-recorded all of the podcast episodes (they're short-form) I originally used the SM7B for (none of which sounded the same), and finally got the pro-grade sound and consistency I wanted! I'm absolutely in love with it - you get what you pay for!

[1 x 1/4"] I have a Shure MV7 and although is a fine microphone. The Revelator Dynamic USB Microphone shows an amazing sound out of the box. I 100% recommend it for the price.

I have a Shure MV7 and although is a fine microphone. The Revelator Dynamic USB Microphone shows an amazing sound out of the box. I 100% recommend it for the price.

[Download] This is a broadcast-style microphone (front address), but it is NOT a dynamic mic. It is actually a small-diaphragm condenser microphone with a BIG sound. You get the absolute clarity and detail you'd expect from a small-diaphragm, but if you run it through a tube-based preamp (UA-610B for example), you also get a warm and full sound. To my ears, the clarity and detail are far superior to the SM7B or the RE20, and depending on your preamp, you can obtain that darker, rich sound of the SM7B (great for podcasting) or you can achieve sonic clarity (great for voiceovers). I personally run mine through a Cranborne EC1 preamp into the PreSonus Quantum 2626 interface and into the Studio One 5 Professional DAW. The EC1 can provide total sonic clarity or add a bit of mojo depending on your taste and needs. The only downside of this mic is that if you're looking for background noise rejection, you'd be better off with a dynamic mic (SM7B, RE20, etc.). This is a condenser mic and it shows in its sensitivity. If you have decent acoustic control over your space, I highly recommend the ETHOS for broadcast, podcasts, streaming, and voiceovers.

[Yes] I bought this product as another microphone for singing/podcast recording purposes. I've used Shure SM7B, which is legendary for many great reasons, but this microphone is my new favorite! I would highly recommend this mic to anyone who does voiceover, singing, and podcast work. It is pricey, but it definitely pays off!

[PET] Using this with a Shure SM7B Vocal Microphone and K&M PopKiller. I did have to use bungee cords in order to help support the weight on the Rode PSA1 Studio Boom Arm for Broadcast Microphones.

Using this with a Shure SM7B Vocal Microphone and K&M PopKiller. I did have to use bungee cords in order to help support the weight on the Rode PSA1 Studio Boom Arm for Broadcast Microphones.

[Black / Silver] I've using the Titan for a very odd use: as a microphone arm for a Shure SM7b, in a location that doesn't have enough space for normal scissors-style mic arm. It has more than enough strength to support both the mic plus a gain booster plugged straight into the mic, and it allows me to swing the mic up and out of the way quite easily. Build is as you'd expect at this price: solid as a rock. I expect this to last forever. Overall: it's pricey, but worth it.

[11 to 52 V] The Shure SM57 is an industry-standard dynamic microphone for a reason. It's versatile, and its durability is unmatched. Vocals, instruments, you name it—this mic delivers fantastic results. The included cable kit is a nice addition, ensuring a quick setup. The cardioid pattern minimizes background noise, making it ideal for both live performances and studio recordings.