Sony Broadcast Camera

[6 lb / 2.7 kg] Worked like a charm with our studio Sony broadcast camera And the Sony FS-7 and FS-9 with the shape plate and the VCT quick release plate

[Yes] If you have a Sony Broadcast video camera like the PVW350, with a 5pin XLR input for stereo on camera mic, you can access audio CH 3&4 input with this adapter cable. Great way to add two 3pin female XLR mic inputs for wireless receivers, etc Lightweight XLR connectors and cable are solid.

[26 x 15.8 x 11"] An absolut must for all heavier non-broadcast cameras such as the Sony F3. It's kind of the only solution for handheld shooting without an assistant which i use it mostly for shooting manly documentaries.

[0.455 lb] The Sony MDR-7506 has long been a standard in the audio/broadcast industry - for a reason. It has excellent voice articulation, reveals any defect in an audio source and is light and comfortable to wear for long periods. It's reasonable price and inclusion of a screw-on 1/8 to 1/4 inch stereo adapter plug means its accessible to most and ready to go right out of the box. A long but coiled cord maximizes flexibility. And if something breaks - parts are available - or just get another one. It's NOT at the pricey end of the spectrum for professional cans. Nothing fancy, here and no bragging rights - It just works - VERY well.

[Omnidirectional] Over the years I've acquired a small arsenal of microphones from the very expensive (costing over a thousand dollars) to the basic inexpensive models.Years ago while working on broadcast productions, I came across this industry workhorse beauty after hearing the clarity and richness of the broadcast sound in many early productions.When I inquired, the microphone was the Sony ECM-55b. And it was a staple in tv and productions.I own a few of these microphones. As time goes on, they seem indestructible! They've been tossed about, stomped on, rained on, abused by amateurs ... you name it .. even chewed on by pets.Like the old Timex Watch ads: They keep tickin and take a lickin.Many times, when I can't decide amongst my expensive mics, I reach in my bag for this one. Even If you have a flip style cam, grab yourself a XLR to mini plug for a few dollars and with the Sony, you've just added pro style sound to your production.After auditioning microphone after microphone for a series I'm filming this month, again I've chosen this microphone. You can't beat the quality built into this baby.

An absolut must for all heavier non-broadcast cameras such as the Sony F3. It's kind of the only solution for handheld shooting without an assistant which i use it mostly for shooting manly documentaries.

[4.0"] I am very pleased with this camera, small enough not to be noticed but powerful enough for broadcast television. Overall it's a fantastic camera.

[2 lb (0.9 kg)] Great for travelling. Nice and compact. Cab fit a broadcast camera nicely.

[ Included] We purchased the JK Audio Broadcast host for our church to broadcast our church services over our conference bridge. The unit works very well if the signal is maintained between -3 to -6db. We purchased the unit because we couldn't come to the sanctuary because of coronavirus, but plan to continue with the unit once service resumes at the church.

[3.235 lb] Works great with the PTZOptics 30X-NDI Broadcast and Conference Camera. Screws and anchors included, plus screws if you need to mount to a gang box. During the installation, I realized I may not have a screw to mount the camera, but even that was included!