Tabletop Boom Microphone Stand

[Hidden Channel] This is a simple and sturdy tabletop microphone stand. You need to have your own clasp, as it does not come with one (not a problem for me, but beware). It is heavy and compact and in no way is in danger of falling over. For the price, it's hard to beat if you're looking for a simple table-top microphone stand.

[5/8"-27 Male] This microphone stand is being used as a tabletop stand very close to a person talking. A panel of presenters sit at a long table facing the audience and I needed to have an SM58 right in the face of each person. The stand works very well for that and it's all black, blends well with my stands from a different manufacturer and is an all-around team player. I'd trust the stand to work in a whole lot of different situations too. The base is fairly heavy without being dangerous or a hassle to carry around. The base is heavy enough to be able to extend the boom a fair distance from the base and to some extent, off axis...it's really about what you'd expect. Incidently, the base is slightly lighter than the stands from another brand that I have, so I can offer lighter stands if I need to. Nice product. At first, I thought it was a cheapie made out of not-so-good materials, but the more I checked it out and used it, I've decided it's a good product worth having. And it gets the job done!

[Black] Auray tabletop stand is not so bad.

[Screw-Knob] I have used this combination boom and stand in the studio for more years than I can remember. It's like a Neumann microphone...it's not a studio without one. Tuff, smooth and easy to use. Nothing bad to say about it.

[Chrome ] It's just the right length for my application. I have a tight working area for audio. I have the boom on a microphone stand behind the rack and it comes through from the back, so that the microphone is positioned directly over the mixer. Plenty of adjustments make it fit almost any application.

[5/8"-27 Male] I needed a boom arm but not the stand to hold it, so this was perfect. It's substantial enough that I can trust it to hold the microphone, and it telescopes smoothly.

[5/8" Receiver] This works great and allows me to attach my microphone clip to the boom on my sturdy light stand. The sturdy set up means that the microphone stand will not fall on expensive instruments.

[Plastic] The K&M 252 has proven to be my favorite microphone stand. I ended up buying six of them. I work strictly mobile, and never know exactly what situations I will encounter. The 252 has 3 sections in the base and two in the boom. I can place a mic near the floor, or high enough above a seated musician for a spot mic. I can record a piano on half-stick without removing the boom, or high and low over the strings. The stand is surprisingly heavy, which lends great stability when the boom is extended.

[5/8"-27 Male] I purchased this low height drum stand with boom to use for my particular Desk Top Microphone setup. I can extend the boom fully and it will still support a Rode NT-1 mic with the large, lyre-type Rycote shock basket, if the boom is extended over one of the tripod legs.

[0.97 lb] I use this product on a boom microphone stand that sits over a keyboard that sits on an organ. The boom gives me more flexibility in being able to adjust it without being a mile away, or in the way, like a straight microphone stand. It securely holds the iPad in place. Now as far as how I use it...I find that it works better, at least on the boom like I use it inverted. Instead of the two holders on the bottom of the iPad, they are on top. This allows me to tilt it like I want to. And maybe I'm wrong, but this was the only way I could get the iRig into the iPad without the holder creating an obstruction. There really isn't much not to like about the product. Just set it up in a manner that you are comfortable and are able to make all connections you need to make.