Vintage Radio Guitar Amplifier

[1] From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

[600 W] The MM7025 replaced a vintage power amplifier and gave new life to my dedicated stereo system. I have both analogue and digital sources, a PrimaLuna tubed preamplifier and B&W 702 S2 floor standing speakers, and this Marantz has proved to be a fundamental link in this chain. It leans a little to the warm side (which I like) and improved the sound of my speakers, with tight bass, very sweet highs, and transparent voices. At this prices level, I can't imagine anything better. 100% recommended.

[Gray / Blue] I have a vintage (1978) amplifier whose preamp isn't working. A local repair shop wanted nearly $200 to fix it, provided they could still get parts. I bought the PP999, plugged it into a line-level input and started enjoying my record collection again! It works well and is very cost effective!

[Active 2-Way] I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

[Download] In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

[Handheld] Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

[Solid-State] Ordered the Shure 565SD-LC from B&H as a replacement for my Vintage 1953 Shure 55s that went bad on my Yaesu FT-2000. I ordered the Shure 565SD on the advice of a friend who is a Musician and a Ham radio operator. This mic works great! Getting consistent compliments on the audio quality of my radio. I might have to buy another one as a spare. KE0SJQ

[0.63 oz] I have a small project studio and my main guitar amp is a vintage 1967 Fender Princeton guitar amp. Before purchasing this microphone, I miced it with a classic Sennheiser 409 which records great tone but I wanted something a with a little more high end, enter the MK 4. The MK 4 adds a nice dimension to the 409 and I mix them both together to capture the Princeton the way I want it. It also did not break the bank.

[1/4"-20 Male] still keeps the vintage look.

[-20 dB] Vintage sound!