Vivitar 24 F2 Filter Size

[4.1 mm] Bought it to use on a 24-70 f/y Nikon S lens so I could use the same filter size used on my 70-200 f/4 lens. It has been on ever since with no issues.

[0.05 lb] I just recently use this 0.9 filter and its awesome.I hope Lee will make same size for 14-24 but to increase the number of stops to 6 or 10. same as 100mm set up.The material is ok and its easy to clean with the cleaning cloth supplied. Yes I will recommend this to a friend.

[Black] I bought this small head which I used for my small Vivitar tripod. It works perfectly well with the size. But don't expecting too much with this small head. They doesn't work smooth as the big ball head. But it does all the jobs as the big brother does.

[Yes] The Vivitar DKS-15 Sling Backpack is the right tool for the job or for anyone running and gunning video if you will. The size is small to medium with a sling and a cross chest strap for security. the inside has adjustable partitions to fit the size of your equipment, plus a side pouch for a small tripod. I couldn't be happier except I still have room left over so I guess I'll have to pick up a few more thing to fill the backpack a little more!

[0.295 lb] Size seems right for new Sony A7iii with 24-105.

[Glass] This filter will live on my Canon RF 28-70 F2 lens when shooting on a sunny day! Without it I could not shoot wide open even at 1/8000th a second! No issues with color cast or stacking other filters. I have used it stacked with the 6 stop ND filter (same brand) and the PolarPro 95mm QuartzLine CPL and am happy to report you can still install the lens hood with all 3 stacked!

[55 mm] This is definitely a pricey filter, $250, however I believe it is one of the best. I am not going to put a $20 filter on a Canon RF 28-70 f2.

[200] I tried this film, for the first time, by running it through my Leica, using both a 50MM F2 Summicron and a 35MM F2 Summicron, utilising a Leitz 39MM deep red filter. I determined the exposure compensation by holding the filter in front of the meter, taking a reading, and then another reading without the filter and arrived at 3&1/2 stops which equates to a filter factor of 8-10, or so. In any event, the images were spectacular! The sky is rendered almost black and clouds were a brilliant white, with detail (think Zone 2-3) in them. Without a filter, SPX performs closely to a regular B&W film in its rendition. I had a lot of fun using this film, not being sure of the outcome but I was quite pleased with the results and I will not hesitate to use it again. Hope this was useful for you...

[0.13 lb] I like the results I get with this filter on my new Nikon 24-70 lens.

[62.1°] I previously had a small zeiss 35mm f2 distagon that I loved. It was similar in size, weight, and build to this lens. When I made the switch to z mount the ftz adaptor eliminated the small size part of the equation for the zeiss. After reading reviews I decided to give voightlander a try since it is available in a native z mount. The image quality didn't disappoint at all. I still miss setting the f stop on the camera thumbwheel, and when I first put the lens on I'll spin the thumbwheel out of habit. After a short time the manual f stop becomes second nature. The weight and size are great as is the build quality. After using the lens for a few weeks I sold my zeiss 35mm f2. I also liked the 35mm voightlander so well that I bought the 50mm f2 apo and the 65mm f2. app macro voightlanders. The 50 is similar to the 35 in size and quality, the 65mm is larger, but focuses closely and also has great image quality.