Xlr To Usb Blue Microphone

[Mono / Stereo] The Blue Yeti it’s a best USB Microphone.

[Stand Base] Even though my Blue Yeti microphone comes with a deluxe, heavy black anodized aluminum stand, I like this one better. The Blue Yeti mic stand is tall, and the mic blocks too much of the view of my monitor. This stand, on the other hand, is the perfect height. The bottom of my microphone is barely 2 inches above the desk. It's amazingly simple to deploy, with three legs that feel like metal, maybe steel, I'm not sure. The little footpads grip the desk nicely. If you want to mount the mic directly to the 5/8 adapter like I did, you will need to purchase a right-angle mini USB adapter, because there's not enough clearance between the bottom of the mic and the stand for a conventional mini USB plug.

[10 x 6.5 x 5"] If you're looking for a good - no, a great USB microphone, look no further! I don't think there's much I can say to sing praise about the Blue Yeti, because everyone knows it's an amazing microphone... But I will say that I'm in no way disappointed. For someone who does voice acting and commentaries like me, it's perfect! I can't say how well it goes with recording instruments or singing, but I doubt those are any less stunning when recorded with this hardware. Highly recommended!

Even though my Blue Yeti microphone comes with a deluxe, heavy black anodized aluminum stand, I like this one better. The Blue Yeti mic stand is tall, and the mic blocks too much of the view of my monitor. This stand, on the other hand, is the perfect height. The bottom of my microphone is barely 2 inches above the desk. It's amazingly simple to deploy, with three legs that feel like metal, maybe steel, I'm not sure. The little footpads grip the desk nicely. If you want to mount the mic directly to the 5/8 adapter like I did, you will need to purchase a right-angle mini USB adapter, because there's not enough clearance between the bottom of the mic and the stand for a conventional mini USB plug.

[16-Bit] I got this as low-cost way to learn about how analog-to-digital xlr-to-usb interfaces work before deciding what I need for a student-produced podcast. Happy to say that it works great when connecting a Rode Procaster dynamic microphone to my iMac. Also worked great with a boundary condenser mike I have on hand. No noise. Super easy to use. I have not encountered build-quality issues; it arrived in brand-new condition and just dangles off the microphone’s cable all day, so no opportunities yet to beat it up. I will experiment with it over the summer, but it won’t get tons of use or abuse until (if) school starts. I don’t regret this purchase yet.

[Supercardioid] I used this Microphone for a concert, great that you can use it via XLR or you can use it VIA USB for Voice-Overs or singing to your computer. Works great. Durable on stand and doesn't take too much space up. I leave it on my computer desk 24/7 and sometimes when I'm not using it I forget it's even there but when I need to record a Voice Over, it's always there!

[Download] I was a little skeptical about moving from XLR to a USB microphone. Works amazingly well with Arch Linux and no issues so far. Very happy and highly recommended.

[0.315 lb] Does the job perfectly to split 1 XLR microphone into to stereo input in my Scarlett USB mixer. Thank you.

[2] I bought this on sale after deciding to switch from a USB microphone to an XLR microphone. It has no discernible background noise or hum. The controls are intuitive, and the sockets are thoughtfully positioned. It's versatile regarding input and output options and offers loopback for mixing. The accompanying software allows for significant boosting of the microphone signal via the equalizer and compressor modules, a set of which is included for each separate mic input. There are 3 programable pads for triggering sound files, and a convenient mute button for hiding coughs and sneezes. Well worth the investment.

[Download] The audio quality that I can get out of this microphone is phenomenal. And not just for a USB microphone, I think this could go toe-to-toe with some of the big boy XLR microphones + audio interface options out there. I have this set up with the Røde PSA1 Studio Arm and PSM1 shock mount in a carpeted room, but with nothing on the walls (definitely not an ideal space for recording audio) and I don't have any issues with background noise or echoes or anything. With how good this microphone is, I would only upgrade to an XLR mic (like the Røde Procaster) if I were doing interviews with others and so needed multiple mics, and then I would get the Rodecaster interface at that stage.