Yamaha Digital Mixing Board

[200 lb / 90 kg] This can be a stand for a mixing board or a keyboard. It is sturdy and folds up compactly. It holds my Yamaha 88-key perfectly. I would highly recommend this modular system.

[25.0' / 7.6 m] I've been using this for interfacing my work station software (DP10) with my Yamaha digital mixing board. It works perfectly, made to send and receive aes/ebu and spdif, as well as many channels via AVB. Motu stuff is always well made and works flawlessly.

I've been using this for interfacing my work station software (DP10) with my Yamaha digital mixing board. It works perfectly, made to send and receive aes/ebu and spdif, as well as many channels via AVB. Motu stuff is always well made and works flawlessly.

[12 VDC] My last digital mixer was a Yamaha 01V96. The LiveTrak L-20 does the same job in a smaller package and 1/4th the weight (not counting the Anvil case). In lieu of motorized faders, the L-20 displays the programmed position using the channel meters. That conveys the same essential information without all the complexity. COVID restrictions led me to do live-streaming, which is closer to TV broadcasting than to audio/video recording. Associated tasks include FOH sound reinforcement. The visual and tactile advantages of a mixing board were a decisive factor in my choice, coupled with the need to lay out up to 16 microphones before going heavy. The L-20 will also save 10 scenes, including eq and fader settings, perfect for mixed venues. There are also 6 programmable output mixes plus main mix, for customized monitoring. For the practical sorts like myself, there is a main headphone jack, plus one for each monitor port. To top it off, the board will record 22 tracks (20 pre-fader) to an SD card, up to 96/24 resolution, and connect the same to a DAW via USB-2.

[Nickel] Use with Zoom H4N to connect to mixing board

[Zipper] Perfect fit for Yamaha p-45 Digital Piano.

[1x RJ45 Female] I'm thrilled, that I can hear on both speakers on my headphones now that I'm connecting to the Rode mixing board.

[-45 dB/pa] The AudioStream Pro SL wireless system is a great system. It works exactly as described. I plug the transmitter into a stereo output on my audio mixing board and the receiver into the stereo audio input on my camcorder; I am able to record the received stereo audio on the SD card in my camera as the embedded audio track with the video exactly as it comes from the mixing board. By the way; the hardshell carrying case is great. Very well designed. Thank You Wi Digital I love your Pro SL wireless system. .

[< 2.9 ms] I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way.

[0.56 lb] I could not find this part anywhere for my Soundcraft Signature 10 mixing board (Awesome board by the way!). So I googled it and happened upon B & H Photo's website. They had the custom rack mount kit for my board (They have a HUGE inventory of Pro Audio equipment). So after ordering it came very quickly and packaged very sturdily. I'm not sure about every state but in Florida there is no charge for sales tax and most items with B & H are free shipping! The rackmount is painted in a beautiful metallic sky blue to exactly match the Soundcraft mixing board line's color scheme. It also has a pre-fabricated optional knockout that you can pop out to neatly route your cabling from your rack to the top of your mixing board. I have also since ordered some other audio equipment from B & H Photo and every transaction has been 100% awesome! Michael from Orlando.