Zeiss Photography Lenses

[0.9 lb (410 g)] Use this on my z5 with Leica and Zeiss lenses All is good

[28mm] One of the best lenses in my kit along with my Zeiss Otus 55mm and my Zeiss Otus 28mm lenses.

[Bay 50 to 52 mm] This adapter allows me to use all my 52mm filters and accessories on my Hasselblad Zeiss C lenses.

[Aluminum] I'm thrilled to be able to use my Zeiss lenses on a digital camera -- not quite automatic, but it works

Use this on my z5 with Leica and Zeiss lenses All is good

[Bay 50 to 52 mm] Excellent product, allows me to use my 52mm filters on all three of my Hasselblad ZEISS type C lenses.

I'm thrilled to be able to use my Zeiss lenses on a digital camera -- not quite automatic, but it works

[FLB (Tungsten)] use this with my 35mm f/2 Zeiss for landscape photography and long exposure shots. great for the blue light photos.

[28mm] I use the zeiss 55 1.4 for Videoclips and Wedding videography - also for street photography with the zacuto viewfinder. 1.4 is sharp as hell. not like other 50mm lenses that 1.4 means they are sharp at 2.2 distortion - NON - zero distortion (I've checked by shooting straight sidewalks at the end of the frame.) great colors, original and beautiful. ALOT OF vignette. and I love it. not durable in rain and dust.. so be careful with it. enjoy :)

[Full-Frame] I bought this lens primarily to have a usably fast lens for night-sky photography. I use it with a 5D Mark IV, and it serves this purpose quite well great sharpness, wide open. It also has proven quite good for shooting waterfalls, and for more general landscape photography; it is an excellent lens, and I'm happy to have it among the ones I can pick from. Although I've used autofocus for 25 years, I've had no problem with the Zeiss's manual focus. In most instances, I've simply used the lens's scale to assure that the distance range I want in focus will be in focus at the selected aperture, and that has worked very well. When more precise focusing has been necessary, I have used Live View 10x with good results (except when looking toward bright light, such as late afternoon sun). As essentially all reviews of this and other Zeiss lenses have stated, Zeiss focusing action is very smooth; this and other manifestations of the outstanding build quality of the lens make it a pleasure to use. When a wide view is desired and manual focus might be problematic, I have the Canon EF 16-35 f/4L IS, which is also an excellent lens, except for night-sky shooting. However, I use the Zeiss for more than night-sky work for situations that could be handled well by the 16-35 because the Zeiss is so nice to use and gives great results. It definitely is expensive, a fact driven home when I compare it to my Canon EF 100-400 f/4.5-5.6L IS II, an outstanding lens that includes great autofocus and image stabilization not found in the Zeiss, yet costs a bit less. But I knew that before buying the Milvus 2.8/18; using it has increased my certainty that it was a good purchase.